Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 71
... theatrical experience , dropping their regular identities and trying out new ones . This is valuable for both the individual and for society . Just as the individual must revise his identity at crucial times throughout his lifetime , so ...
... theatrical experience , dropping their regular identities and trying out new ones . This is valuable for both the individual and for society . Just as the individual must revise his identity at crucial times throughout his lifetime , so ...
Seite 99
... theatrical performance as a poten- tial ; not as what is , but as what might be . It is this " might be " that creates the air of special intensity and magic surrounding living performance that is missing in film and television ...
... theatrical performance as a poten- tial ; not as what is , but as what might be . It is this " might be " that creates the air of special intensity and magic surrounding living performance that is missing in film and television ...
Seite 101
... theatrical sophistication ; it is impressive , for example , that Aristophanes could count on his audience of thousands of Athenians to be familiar with the ideas that Socrates and the sophists had been propounding in the marketplace ...
... theatrical sophistication ; it is impressive , for example , that Aristophanes could count on his audience of thousands of Athenians to be familiar with the ideas that Socrates and the sophists had been propounding in the marketplace ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York