Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 16
... theory , information theory , or phenomenological criticism . The whole tenor of contemporary aesthetics is nonmimetic . This is , again , not the same thing as being antimimetic . The mimetic aspect of art is not denied , but it is no ...
... theory , information theory , or phenomenological criticism . The whole tenor of contemporary aesthetics is nonmimetic . This is , again , not the same thing as being antimimetic . The mimetic aspect of art is not denied , but it is no ...
Seite 25
... theory was in its assigning a passive role to drama , which was seen as merely reflecting reality in a point - blank manner . The ingenuousness of this theory is the same as that of the traditional , naive view of language , which was ...
... theory was in its assigning a passive role to drama , which was seen as merely reflecting reality in a point - blank manner . The ingenuousness of this theory is the same as that of the traditional , naive view of language , which was ...
Seite 27
... theory attaches much more importance to drama ( and the other arts ) than does realistic theory . If drama reflects reality directly , what is the purpose of it ? Why bother to study it , when one can just as easily study life itself ...
... theory attaches much more importance to drama ( and the other arts ) than does realistic theory . If drama reflects reality directly , what is the purpose of it ? Why bother to study it , when one can just as easily study life itself ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York