Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 62
... things as the Catholic mass , or take over rituals wholesale from other cultures , as when Richard Schechner ... things , to make the stone stony . The purpose of art is to impart the sensation of things as they are perceived and not as ...
... things as the Catholic mass , or take over rituals wholesale from other cultures , as when Richard Schechner ... things , to make the stone stony . The purpose of art is to impart the sensation of things as they are perceived and not as ...
Seite 106
... things that distress us when we see them in reality , but the most accurate representations of these same things we view with pleasure - as , for example , the forms of the most despised animals and of corpses " ; " even things that we ...
... things that distress us when we see them in reality , but the most accurate representations of these same things we view with pleasure - as , for example , the forms of the most despised animals and of corpses " ; " even things that we ...
Seite 129
... things that he does not know , including the facts of his own parentage . And how does he actually come to know things ? We see him jump hastily to conclusions when he accuses Creon and Teiresias of conspiring to depose him . We also ...
... things that he does not know , including the facts of his own parentage . And how does he actually come to know things ? We see him jump hastily to conclusions when he accuses Creon and Teiresias of conspiring to depose him . We also ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York