Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 30
Seite 108
... thinking . Secondary process thought , or rational thinking , may be involved as well , since we should not think of the two processes as being inevitably locked in bitter opposition but rather as ordinarily operating in tandem . Thus ...
... thinking . Secondary process thought , or rational thinking , may be involved as well , since we should not think of the two processes as being inevitably locked in bitter opposition but rather as ordinarily operating in tandem . Thus ...
Seite 111
... thinking about space or time are redefined , I shall refer to as expansions or contractions ; shifts of the latter type I shall refer to as displacements . The dramatic illusion , then , is a form of primary process thinking . It is ...
... thinking about space or time are redefined , I shall refer to as expansions or contractions ; shifts of the latter type I shall refer to as displacements . The dramatic illusion , then , is a form of primary process thinking . It is ...
Seite 131
... thinking in favor of reasoning . He rejects bird divination and oracles , just as Plato was to reject theatre and most mythology , and just as scientists today reject erroneously held popular opinions as " myth . " Teiresias's way of ...
... thinking in favor of reasoning . He rejects bird divination and oracles , just as Plato was to reject theatre and most mythology , and just as scientists today reject erroneously held popular opinions as " myth . " Teiresias's way of ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York