Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 107
... thought , " the form of thinking that is found in dreams and jokes and slips of the tongue as well as in works of art , as something atavistic or merely infantile , rather than a full - fledged , but merely different , mode of ...
... thought , " the form of thinking that is found in dreams and jokes and slips of the tongue as well as in works of art , as something atavistic or merely infantile , rather than a full - fledged , but merely different , mode of ...
Seite 108
... thought was governed by what he called “ the pleasure principle " ; it is always oriented , at least ultimately , toward the achieving of pleasure or the avoiding of pain . What he does not seem to have considered was that such thought ...
... thought was governed by what he called “ the pleasure principle " ; it is always oriented , at least ultimately , toward the achieving of pleasure or the avoiding of pain . What he does not seem to have considered was that such thought ...
Seite 188
... thought . See Thought : primary process Problem play , 166 Proust , Marcel , 175 Racine , Jean : Britannicus , 59 ; Phaedra , 59 Raiders of the Lost Ark ( film ) , 27 Rayfield , Donald , 91 Reader - response theory , 16 Reagan , Ronald ...
... thought . See Thought : primary process Problem play , 166 Proust , Marcel , 175 Racine , Jean : Britannicus , 59 ; Phaedra , 59 Raiders of the Lost Ark ( film ) , 27 Rayfield , Donald , 91 Reader - response theory , 16 Reagan , Ronald ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York