Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 31
Seite 23
... traditional overstatement with romantic understate- ment . 12 In other words , Hemingway was not trying to describe war directly , but to attack the traditional way of depicting war in literature and drama . There has developed a whole ...
... traditional overstatement with romantic understate- ment . 12 In other words , Hemingway was not trying to describe war directly , but to attack the traditional way of depicting war in literature and drama . There has developed a whole ...
Seite 24
... traditional plays with a new slant . Thus A Doll House is a traditional nineteenth - century Well - Made Play , setting a heroine , Nora , against a villain , Krogstad , in a struggle revolving around a suppressed secret ( the forgery ) ...
... traditional plays with a new slant . Thus A Doll House is a traditional nineteenth - century Well - Made Play , setting a heroine , Nora , against a villain , Krogstad , in a struggle revolving around a suppressed secret ( the forgery ) ...
Seite 25
Richard Hornby. Brecht's Mother Courage , for example , is an attack on the traditional German history play , of the ... traditional , naive view of language , which was also seen as merely describing reality in a simple , one - to - one ...
Richard Hornby. Brecht's Mother Courage , for example , is an attack on the traditional German history play , of the ... traditional , naive view of language , which was also seen as merely describing reality in a simple , one - to - one ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York