Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 58
... tragedy , as Herbert R. Coursen , Jr. , has noted in his book Christian Ritual and the World of Shakespeare's Tragedies , " the tragic hero tends to move away from the creative and healing power of the supernature and pulls his world ...
... tragedy , as Herbert R. Coursen , Jr. , has noted in his book Christian Ritual and the World of Shakespeare's Tragedies , " the tragic hero tends to move away from the creative and healing power of the supernature and pulls his world ...
Seite 64
... tragedy , and tragedy is only found in societies that are rapidly changing . Individual plays may seem to deplore such change , but tragedy as a whole in a given period becomes a means for understanding and dealing with it ...
... tragedy , and tragedy is only found in societies that are rapidly changing . Individual plays may seem to deplore such change , but tragedy as a whole in a given period becomes a means for understanding and dealing with it ...
Seite 65
... tragedy dwindled with the establishment of the new order ; people continued to write tragedy , but the results were feeble in comparison with those of the previous era . By the late nineteenth century , the Newtonian view of the ...
... tragedy dwindled with the establishment of the new order ; people continued to write tragedy , but the results were feeble in comparison with those of the previous era . By the late nineteenth century , the Newtonian view of the ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York