Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 80
... true self remains aloof but solid , to be exposed at rare genuine moments , as in declarations of true love . By contrast , a good deal of modern drama has depicted principal characters who role play incessantly , and who seem to have no ...
... true self remains aloof but solid , to be exposed at rare genuine moments , as in declarations of true love . By contrast , a good deal of modern drama has depicted principal characters who role play incessantly , and who seem to have no ...
Seite 81
... true souls , no matter how deeply hidden . But Peer Gynt has no soul , no " inmost heart , " only layers , like the onion . All the world is once again a stage . Modern drama ( and modern literature in general ) is full of characters ...
... true souls , no matter how deeply hidden . But Peer Gynt has no soul , no " inmost heart , " only layers , like the onion . All the world is once again a stage . Modern drama ( and modern literature in general ) is full of characters ...
Seite 144
... true lover at all , she insists . The true reality ( as always in Shakespeare ) is the inner reality , the psychological sense of time , which " travels in divers paces with divers persons . " Clocks had been around for many centuries ...
... true lover at all , she insists . The true reality ( as always in Shakespeare ) is the inner reality , the psychological sense of time , which " travels in divers paces with divers persons . " Clocks had been around for many centuries ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York