Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 37
... turn , three inset pieces : a parade of the victorious Spanish army with its captives ( which the Spanish king likes so much he orders to be repeated ) , a masque glorifying Spain's earlier defeat by little England ( most unlikely ...
... turn , three inset pieces : a parade of the victorious Spanish army with its captives ( which the Spanish king likes so much he orders to be repeated ) , a masque glorifying Spain's earlier defeat by little England ( most unlikely ...
Seite 49
... turn out to reflect either the ancient Greek dithyramb or kommos , festive rituals in honor of Di- onysus , which in turn both reflect a proto - ritual celebrating the death and rebirth of a vegetation god . I shall not treat ritual in ...
... turn out to reflect either the ancient Greek dithyramb or kommos , festive rituals in honor of Di- onysus , which in turn both reflect a proto - ritual celebrating the death and rebirth of a vegetation god . I shall not treat ritual in ...
Seite 75
... turns out to be implicit as well as explicit . The story in the Apocrypha to which Shylock is referring is of Susanna and the Elders . In it , the Elders try to pervert the law to gain vengeance on Susanna , but Daniel , as a wise ...
... turns out to be implicit as well as explicit . The story in the Apocrypha to which Shylock is referring is of Susanna and the Elders . In it , the Elders try to pervert the law to gain vengeance on Susanna , but Daniel , as a wise ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York