Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 42
... usually no central figure in the play itself to whom we can attribute this dreamy subjectivity . The boundary between inner and outer play have dissolved completely , taking us away from metadrama in structure , yet retaining the ...
... usually no central figure in the play itself to whom we can attribute this dreamy subjectivity . The boundary between inner and outer play have dissolved completely , taking us away from metadrama in structure , yet retaining the ...
Seite 112
... usually just prior to waking up , but this is an unusual occurrence . ) In the theatre , this is not the case . There , we are never the principal character , and the events are known to be fictitious . ( A play may be so vivid that its ...
... usually just prior to waking up , but this is an unusual occurrence . ) In the theatre , this is not the case . There , we are never the principal character , and the events are known to be fictitious . ( A play may be so vivid that its ...
Seite 117
... usually see . The light that illuminates us signifies nothing . Neither do the clothes we wear signify anything . They indicate nothing , they are not unusual in any way , they signify nothing . They signify no other time to you , no ...
... usually see . The light that illuminates us signifies nothing . Neither do the clothes we wear signify anything . They indicate nothing , they are not unusual in any way , they signify nothing . They signify no other time to you , no ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York