Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 17
... writer does not really write “ about ” anything , but rather writes writing.5 Frye , in his influential book Anatomy of Criticism , maintained that literature forms a vast system that reflects the basic rhythms of life . His method is ...
... writer does not really write “ about ” anything , but rather writes writing.5 Frye , in his influential book Anatomy of Criticism , maintained that literature forms a vast system that reflects the basic rhythms of life . His method is ...
Seite 18
... writing his plays , he felt as if he were watching them take place on a stage . There is indeed a certain passivity to creative writing , at least from the subjective viewpoint of the author , who feels more that he is being acted upon ...
... writing his plays , he felt as if he were watching them take place on a stage . There is indeed a certain passivity to creative writing , at least from the subjective viewpoint of the author , who feels more that he is being acted upon ...
Seite 92
... writing with that of Trigorin , the older writer in the play : Trigorin has worked out a method , it's easy for him . . . . With him a broken bottleneck glitters on the dam and the mill wheel casts a black shadow - and there you have a ...
... writing with that of Trigorin , the older writer in the play : Trigorin has worked out a method , it's easy for him . . . . With him a broken bottleneck glitters on the dam and the mill wheel casts a black shadow - and there you have a ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York