German Expressionist Drama: Ernst Toller and Georg KaiserGrove Press, 1984 - 179 Seiten |
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Seite 9
... became famous for the use he made of Appia's steps ; they became known as Jessnertreppen – a ' single flight of steps raked back from the front of the stage ' ( as in his 1920 production of Richard III ) . But they were more than just ...
... became famous for the use he made of Appia's steps ; they became known as Jessnertreppen – a ' single flight of steps raked back from the front of the stage ' ( as in his 1920 production of Richard III ) . But they were more than just ...
Seite 72
... became thoroughly disillusioned by his war experiences . After the war he became a dedicated Communist who considered the theatre an ideal platform for the political education of the proletariat . From 1920 he began to develop his ...
... became thoroughly disillusioned by his war experiences . After the war he became a dedicated Communist who considered the theatre an ideal platform for the political education of the proletariat . From 1920 he began to develop his ...
Seite 114
... became Kaiser's most famous and most often produced play , making its way quickly on to the international stage and into various anthologies . However , it took some time to establish itself outside Germany . For example , the ...
... became Kaiser's most famous and most often produced play , making its way quickly on to the international stage and into various anthologies . However , it took some time to establish itself outside Germany . For example , the ...
Inhalt
Art and Politics | 10 |
Masse Mensch Masses and Man | 38 |
Wreckers | 49 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
actors Allan become Berlin BLUE FIGURE bourgeois Brecht Bürger von Calais Cashier César Klein character colour critics death depicts director Dramatists dream episodes ecstatic Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example Expressionism Fehling film final Floss der Medusa Frankfurt Friedrich GENTLEMAN IN BLACK Georg Kaiser gerettete Alkibiades German Expressionist German Expressionist drama German Theatre Grete Gustav Landauer hermae Hinkemann Hoppla human ideas Jimmy Jürgen Fehling Karl Thomas Karlheinz Martin Kilman Koralle Kurt Eisner language leben live mankind Martin Maschinenstürmer Masse Mensch Max Reinhardt Millionaire Millionaire-Worker morgens bis mitternachts Munich Nameless Nazis Neppach OLD REAPER Pastor Hall performance Piscator Piscator's play play's Political Theatre premiere prison production proletariat prologue protagonist realistic regeneration rejects represents Revolution in German role scene social Sokrates Son's stage Stationendrama style suicide symbol tableau theme tion transformation vision Volksbühne Wandlung Woman workers writes wrote Yellow Figures