German Expressionist Drama: Ernst Toller and Georg KaiserGrove Press, 1984 - 179 Seiten |
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Seite 18
... depicts Hitler in 1923 as a ruthless megalomaniac . On New Year's Eve , 1931 , Toller wrote prophetically about Hitler's assumption of power : It is said that people don't learn from the past ; ap- parently they don't learn from the ...
... depicts Hitler in 1923 as a ruthless megalomaniac . On New Year's Eve , 1931 , Toller wrote prophetically about Hitler's assumption of power : It is said that people don't learn from the past ; ap- parently they don't learn from the ...
Seite 46
... depicts almost in German classical fashion man's possibility of developing into a greater human being through suffering . His theory is radical in that it rejects any form of violence in this process of development . Masse Mensch also ...
... depicts almost in German classical fashion man's possibility of developing into a greater human being through suffering . His theory is radical in that it rejects any form of violence in this process of development . Masse Mensch also ...
Seite 76
... depicting actual events of the 1920s but he used them only as background material . In Hoppla , wir leben ! Toller's primary concern is to depict the corrupt institu- tions of the Weimar Republic , as the scenes that take place in the ...
... depicting actual events of the 1920s but he used them only as background material . In Hoppla , wir leben ! Toller's primary concern is to depict the corrupt institu- tions of the Weimar Republic , as the scenes that take place in the ...
Inhalt
Art and Politics | 10 |
Masse Mensch Masses and Man | 38 |
Wreckers | 49 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
actors Allan become Berlin BLUE FIGURE bourgeois Brecht Bürger von Calais Cashier César Klein character colour critics death depicts director Dramatists dream episodes ecstatic Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example Expressionism Fehling film final Floss der Medusa Frankfurt Friedrich GENTLEMAN IN BLACK Georg Kaiser gerettete Alkibiades German Expressionist German Expressionist drama German Theatre Grete Gustav Landauer hermae Hinkemann Hoppla human ideas Jimmy Jürgen Fehling Karl Thomas Karlheinz Martin Kilman Koralle Kurt Eisner language leben live mankind Martin Maschinenstürmer Masse Mensch Max Reinhardt Millionaire Millionaire-Worker morgens bis mitternachts Munich Nameless Nazis Neppach OLD REAPER Pastor Hall performance Piscator Piscator's play play's Political Theatre premiere prison production proletariat prologue protagonist realistic regeneration rejects represents Revolution in German role scene social Sokrates Son's stage Stationendrama style suicide symbol tableau theme tion transformation vision Volksbühne Wandlung Woman workers writes wrote Yellow Figures