German Expressionist Drama: Ernst Toller and Georg KaiserGrove Press, 1984 - 179 Seiten |
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Seite 63
... play was too sentimental and the topic of Hinkemann's emascula- tion against good taste . The positive reviews praised the play's dramatic structure , the treatment of the theme and the introduction of a Büchner - like proletarian ...
... play was too sentimental and the topic of Hinkemann's emascula- tion against good taste . The positive reviews praised the play's dramatic structure , the treatment of the theme and the introduction of a Büchner - like proletarian ...
Seite 74
... play for the opening of his new theatre , the Piscatorbühne , but he had great difficulty in finding a suitable new political play . Patterson explains : ... the Expressionist revolution in the theatre had been almost entirely an ...
... play for the opening of his new theatre , the Piscatorbühne , but he had great difficulty in finding a suitable new political play . Patterson explains : ... the Expressionist revolution in the theatre had been almost entirely an ...
Seite 125
... play Kaiser does not employ the term Der Neue Mensch ; instead he speaks of Der Mensch ( the man as ideal human ) whose characteristics are pacifism , altruism and wisdom . Die Bürger von Calais was premiered on 29 January 1917 in the ...
... play Kaiser does not employ the term Der Neue Mensch ; instead he speaks of Der Mensch ( the man as ideal human ) whose characteristics are pacifism , altruism and wisdom . Die Bürger von Calais was premiered on 29 January 1917 in the ...
Inhalt
Art and Politics | 10 |
Masse Mensch Masses and Man | 38 |
Wreckers | 49 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
actors Allan become Berlin BLUE FIGURE bourgeois Brecht Bürger von Calais Cashier César Klein character colour critics death depicts director Dramatists dream episodes ecstatic Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example Expressionism Fehling film final Floss der Medusa Frankfurt Friedrich GENTLEMAN IN BLACK Georg Kaiser gerettete Alkibiades German Expressionist German Expressionist drama German Theatre Grete Gustav Landauer hermae Hinkemann Hoppla human ideas Jimmy Jürgen Fehling Karl Thomas Karlheinz Martin Kilman Koralle Kurt Eisner language leben live mankind Martin Maschinenstürmer Masse Mensch Max Reinhardt Millionaire Millionaire-Worker morgens bis mitternachts Munich Nameless Nazis Neppach OLD REAPER Pastor Hall performance Piscator Piscator's play play's Political Theatre premiere prison production proletariat prologue protagonist realistic regeneration rejects represents Revolution in German role scene social Sokrates Son's stage Stationendrama style suicide symbol tableau theme tion transformation vision Volksbühne Wandlung Woman workers writes wrote Yellow Figures