German Expressionist Drama: Ernst Toller and Georg KaiserGrove Press, 1984 - 179 Seiten |
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Seite 53
... proletariat . The teachings of Marx and Engels , both from well - to - do families , and of the very moderate Las- salle , did not influence the proletariat directly but through a number of middle - class citizens who fought the cause ...
... proletariat . The teachings of Marx and Engels , both from well - to - do families , and of the very moderate Las- salle , did not influence the proletariat directly but through a number of middle - class citizens who fought the cause ...
Seite 66
... proletariat and the rich bourgeoisie is growing , each character voices an individual and different opinion as to how to bring about a change for the better . There is no overall agreement any more , not even an attempt to reach one ...
... proletariat and the rich bourgeoisie is growing , each character voices an individual and different opinion as to how to bring about a change for the better . There is no overall agreement any more , not even an attempt to reach one ...
Seite 72
... proletariat . From 1920 he began to develop his political theatre which , at least until 1929 , he identified with proletarian theatre ; by then he had come to admit that the proletariat had not been capable of realising the importance ...
... proletariat . From 1920 he began to develop his political theatre which , at least until 1929 , he identified with proletarian theatre ; by then he had come to admit that the proletariat had not been capable of realising the importance ...
Inhalt
Art and Politics | 10 |
Masse Mensch Masses and Man | 38 |
Wreckers | 49 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
actors Allan become Berlin BLUE FIGURE bourgeois Brecht Bürger von Calais Cashier César Klein character colour critics death depicts director Dramatists dream episodes ecstatic Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example Expressionism Fehling film final Floss der Medusa Frankfurt Friedrich GENTLEMAN IN BLACK Georg Kaiser gerettete Alkibiades German Expressionist German Expressionist drama German Theatre Grete Gustav Landauer hermae Hinkemann Hoppla human ideas Jimmy Jürgen Fehling Karl Thomas Karlheinz Martin Kilman Koralle Kurt Eisner language leben live mankind Martin Maschinenstürmer Masse Mensch Max Reinhardt Millionaire Millionaire-Worker morgens bis mitternachts Munich Nameless Nazis Neppach OLD REAPER Pastor Hall performance Piscator Piscator's play play's Political Theatre premiere prison production proletariat prologue protagonist realistic regeneration rejects represents Revolution in German role scene social Sokrates Son's stage Stationendrama style suicide symbol tableau theme tion transformation vision Volksbühne Wandlung Woman workers writes wrote Yellow Figures