German Expressionist Drama: Ernst Toller and Georg KaiserGrove Press, 1984 - 179 Seiten |
Im Buch
Ergebnisse 1-3 von 53
Seite 26
... scene is to contrast Friedrich's naiveté with the harsh reality of war . The two soldiers listen while seven soldiers in a choric lament speak of the horrors they have encoun- tered . The second Station is again divided into two ...
... scene is to contrast Friedrich's naiveté with the harsh reality of war . The two soldiers listen while seven soldiers in a choric lament speak of the horrors they have encoun- tered . The second Station is again divided into two ...
Seite 48
... scene lay in its exaggeration : the smallness of the cage in which the Woman cannot stand erect , the impression of an immense void around her created through blacking out the rest of the stage , the slow and precise movement of the ...
... scene lay in its exaggeration : the smallness of the cage in which the Woman cannot stand erect , the impression of an immense void around her created through blacking out the rest of the stage , the slow and precise movement of the ...
Seite 113
... scene , but had the intermission after scene four instead ; this may be a more logical division indicating the Cashier's break with his life in a small town and his departure for Berlin . One of the most interesting and most difficult ...
... scene , but had the intermission after scene four instead ; this may be a more logical division indicating the Cashier's break with his life in a small town and his departure for Berlin . One of the most interesting and most difficult ...
Inhalt
Art and Politics | 10 |
Masse Mensch Masses and Man | 38 |
Wreckers | 49 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
actors Allan become Berlin BLUE FIGURE bourgeois Brecht Bürger von Calais Cashier César Klein character colour critics death depicts director Dramatists dream episodes ecstatic Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example Expressionism Fehling film final Floss der Medusa Frankfurt Friedrich GENTLEMAN IN BLACK Georg Kaiser gerettete Alkibiades German Expressionist German Expressionist drama German Theatre Grete Gustav Landauer hermae Hinkemann Hoppla human ideas Jimmy Jürgen Fehling Karl Thomas Karlheinz Martin Kilman Koralle Kurt Eisner language leben live mankind Martin Maschinenstürmer Masse Mensch Max Reinhardt Millionaire Millionaire-Worker morgens bis mitternachts Munich Nameless Nazis Neppach OLD REAPER Pastor Hall performance Piscator Piscator's play play's Political Theatre premiere prison production proletariat prologue protagonist realistic regeneration rejects represents Revolution in German role scene social Sokrates Son's stage Stationendrama style suicide symbol tableau theme tion transformation vision Volksbühne Wandlung Woman workers writes wrote Yellow Figures