Dynasties: Painting in Tudor and Jacobean England, 1530-1630Tate Gallery, 1995 - 256 Seiten The continuing popularity of the Tudors and Stuarts owes much to the portraits that survive from their era. More than 150 works are gathered in this book, selected by Karen Hearn, Assistant Keeper in the British Collection at the Tate Gallery. |
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Seite 42
... background space , makes him appear particularly close to the viewer . Such compositions distinguish themselves from Holbein's earlier work , where the sitters are not only given greater background space , but are more frequently shown ...
... background space , makes him appear particularly close to the viewer . Such compositions distinguish themselves from Holbein's earlier work , where the sitters are not only given greater background space , but are more frequently shown ...
Seite 232
... background . With the stereo - microscope it is visible beneath the background , hat , black coat and brown fur ( fig.iv ) , but whether it extended to the face is not known . It was certainly leanly bound in linseed oil and , although ...
... background . With the stereo - microscope it is visible beneath the background , hat , black coat and brown fur ( fig.iv ) , but whether it extended to the face is not known . It was certainly leanly bound in linseed oil and , although ...
Seite 234
... background of ' Sir William Butts ' in Boston is composed of three successive fig.xx Detail of background at the left edge showing , from left to right : red underlayer ; greeny - blue azurite ; discoloured smalt on top fig.xxi Cross ...
... background of ' Sir William Butts ' in Boston is composed of three successive fig.xx Detail of background at the left edge showing , from left to right : red underlayer ; greeny - blue azurite ; discoloured smalt on top fig.xxi Cross ...
Inhalt
The Production and Reproduction of Holbeins Portraits | 21 |
British Painting and the Low Countries | 29 |
Elizabeth I | 77 |
Urheberrecht | |
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