The National Review, Band 4R. Theobald, 1857 |
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Seite 2
... objects and scenes which fed his contemplative humour and filled his imagination without imposing the galling restraint of foreign influence . These two gifts were , indeed , powerful enough to give a cast to his poetry which has made ...
... objects and scenes which fed his contemplative humour and filled his imagination without imposing the galling restraint of foreign influence . These two gifts were , indeed , powerful enough to give a cast to his poetry which has made ...
Seite 4
... object itself to which at the time his mind was turned . There are poets who steep and lose themselves in their ... object of thought , and a character- istic manner of treating that object . The manner is not lost in the apparent matter ...
... object itself to which at the time his mind was turned . There are poets who steep and lose themselves in their ... object of thought , and a character- istic manner of treating that object . The manner is not lost in the apparent matter ...
Seite 5
... object he contemplates . To understand Wordsworth's matter , it is abso- lutely necessary to understand fully his manner first . There is no poet who gives to his theme so perfectlynew a birth as Wordsworth . Not , indeed , that he ...
... object he contemplates . To understand Wordsworth's matter , it is abso- lutely necessary to understand fully his manner first . There is no poet who gives to his theme so perfectlynew a birth as Wordsworth . Not , indeed , that he ...
Seite 6
... object of solicitude is the bodily life of another . Let us accompany this same boy to that period between youth and manhood , when a solicitude may be awakened for the moral life of himself . Are there any powers by which , beginning ...
... object of solicitude is the bodily life of another . Let us accompany this same boy to that period between youth and manhood , when a solicitude may be awakened for the moral life of himself . Are there any powers by which , beginning ...
Seite 8
... objects of the poet's contemplation voluntarily and purposely into his own world of thought , is the most dis- tinguishing characteristic of Wordsworth's poetry , no one can doubt who compares him with any other of our great poets . All ...
... objects of the poet's contemplation voluntarily and purposely into his own world of thought , is the most dis- tinguishing characteristic of Wordsworth's poetry , no one can doubt who compares him with any other of our great poets . All ...
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Häufige Begriffe und Wortgruppen
action Balzac Bank of France beauty Beefsteak Club believe Brahmans British Buddhist called character Christian Cimbri club convicts Crédit Mobilier Dacia divine doctrine doubt Duke electricity England expression fact faith favour feel force Frischlin Gaul genius German give Goths Gozlan Greek hand heart heat heaven honour human idea imagination Indian influence interest king labour language Léon Gozlan less light living Lord Lord Palmerston Märklin Maroboduus matter means ment mind minister moral nation nature never old Prussian passion perhaps poem poet poetry political present prison produced question race religion religious remarkable Roman says Scythians seems sense sentiment Simon slavery society soul spirit Spurgeon Strauss Suevi Tacitus thing thought tion true truth universal Western Australia whilst White's whole Wordsworth writes
Beliebte Passagen
Seite 29 - THREE years she grew in sun and shower ; Then Nature said : " A lovelier flower On earth was never sown ; This child I to myself will take ; She shall be mine, and I will make A lady of my own. " Myself will to my darling be Both law and impulse ; and with me The girl, in rock and plain, In earth and heaven, in glade and bower, Shall feel an overseeing power, To kindle or restrain.
Seite 29 - The floating Clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
Seite 21 - A countenance in which did meet Sweet records, promises as sweet; A Creature not too bright or good For human nature's daily food; For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles. And now I see with eye serene The very pulse of the machine...
Seite 12 - Pressed closely palm to palm, and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls, That they might answer him. And they would shout Across the watery vale, and .shout again, Responsive to his call...
Seite 13 - Listening, a gentle shock of mild surprise Has carried far into his heart the voice Of mountain -torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the bosom of the steady lake.
Seite 9 - My eyes are dim with childish tears, My heart is idly stirred, For the same sound is in my ears Which in those days I heard. " Thus fares it still in our decay : And yet the wiser mind Mourns less for what age takes away Than what it leaves behind.
Seite 9 - Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge; So sad, so fresh, the days that are no more.
Seite 24 - Oh! when I have hung Above the raven's nest, by knots of grass And half-inch fissures in the slippery rock But ill sustained, and almost (so it seemed) Suspended by the blast that blew amain, Shouldering the naked crag, oh, at that time While on the perilous ridge I hung alone, With what strange utterance did the loud dry wind Blow through my ear! the sky seemed not a sky Of earth — and with what motion moved the clouds!
Seite 14 - And when the ground was white with snow, And I could run and slide, My brother John was forced to go, And he lies by her side.
Seite 10 - Contingencies of pomp ; and serve to exalt Her native brightness. As the ample moon, In the deep stillness of a summer even Rising behind a thick and lofty grove, Burns, like an unconsuming fire of light, In the green trees ; and, kindling on all sides Their leafy umbrage, turns the dusky veil Into a substance glorious as her own, Yea, with her own incorporated, by power Capacious and serene.