The True and the Beautiful in Nature, Art, Morals, and Religion, Selected from the Works of John Ruskin |
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Seite 15
We shall see by this light three colossal images standing up side by side,
looming in their great rest of spirituality above the whole world-horizon; Phidias,
Michael Angelo, and Dante; and then, separated from their great religious
thrones only ...
We shall see by this light three colossal images standing up side by side,
looming in their great rest of spirituality above the whole world-horizon; Phidias,
Michael Angelo, and Dante; and then, separated from their great religious
thrones only ...
Seite 259
... itself, for which the cloud had been mistaken, though subtending an angle of
about eighteen or twenty degrees, instead of the fifty attributed to it, was of a form
so exquisite that it might have been a profitable lesson truly studied to Phidias.
... itself, for which the cloud had been mistaken, though subtending an angle of
about eighteen or twenty degrees, instead of the fifty attributed to it, was of a form
so exquisite that it might have been a profitable lesson truly studied to Phidias.
Seite 292
Homer sang of what he saw; Phidias carved what he saw; Raphael painted the
men of his own time in their own caps and mantles; and every man who has
arisen to eminence in modern times has done so altogether by his working in
their ...
Homer sang of what he saw; Phidias carved what he saw; Raphael painted the
men of his own time in their own caps and mantles; and every man who has
arisen to eminence in modern times has done so altogether by his working in
their ...
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Albert Durer angels arch architecture artist beauty blue bough building character chiaroscuro Christ clouds color Correggio creatures dark death deep degree delicate delight Divine earth expression faithful false feeling give glory Gothic Gothic architecture grace grass heart heaven hills historical human idea ideal imagination imitation instance intellect invention kind landscape Laocoon less light lines look lower marble marble church Masaccio mean mind Mino da Fiesole modern mountain nature ness never noble object observe ornament painter painting passing passion Paul Veronese peculiar perfect Perugino Phidias picture pleasure poetical poetry poor man's Bible present pure rational architecture reader rocks roof sculpture seen sense shadow spirit stone Stones of Venice strength sublime suppose taste things thought Tintoret tion Titian trees true truth utmost Venetian schools Venice walls waves whole word