Notes and Emendations to the Text of Shakespeare's Plays: From Early Manuscript Corrections in a Copy of the Folio, 1632Redfield, 1853 - 541 Seiten Supplement to Collier's 'The works of Shakespeare : the text regulated by the recently discovered folio of 1632, containing early manuscript emendations : with a history of the stage, a life of the poet, and an introduction to each play,' also known as the Perkins folio. Collier claimed to have discovered extensive new manuscript emendations to Shakespeare's folio of 1632 in a 17th-century hand, which he published in 'Notes and emendations to the text of Shakespeare's plays.' After examining the manuscript, scholars at the British Museum proclaimed it to be a 19th-century forgery. |
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Seite 9
... say that this misprint can never be repeated . Another proof of the same kind , but perhaps even stronger , may be ... says that woolvish " is rough , hirsute ; and Malone , Steevens , Ritson , Douce , & c . , have all notes regarding ...
... say that this misprint can never be repeated . Another proof of the same kind , but perhaps even stronger , may be ... says that woolvish " is rough , hirsute ; and Malone , Steevens , Ritson , Douce , & c . , have all notes regarding ...
Seite 26
... says , " Now I arise , " he does not mean , as Steevens absurdly supposed , " Now my story heightens , " because the very reverse is the fact ; but that he rose from the seat he had taken , in order to invest himself again in his ...
... says , " Now I arise , " he does not mean , as Steevens absurdly supposed , " Now my story heightens , " because the very reverse is the fact ; but that he rose from the seat he had taken , in order to invest himself again in his ...
Seite 28
... posture of won- der and adoration , which he kept till Miranda had finished her reply , when Rising is also inserted in the margin of the corrected folio , 1632. Aside is there noted when Prospero says 28 [ ACT . II . THE TEMPEST .
... posture of won- der and adoration , which he kept till Miranda had finished her reply , when Rising is also inserted in the margin of the corrected folio , 1632. Aside is there noted when Prospero says 28 [ ACT . II . THE TEMPEST .
Seite 29
... says , a few lines afterwards , - " The Duke of Milan , " & c . It is the earliest direction of the kind that occurs in the volume , and we need only mention that it is repeated several times after- wards in this scene . ACT II . SCENE ...
... says , a few lines afterwards , - " The Duke of Milan , " & c . It is the earliest direction of the kind that occurs in the volume , and we need only mention that it is repeated several times after- wards in this scene . ACT II . SCENE ...
Seite 31
... says , “ That's verily , " instead of " That's verity . " The old corrector of the folio , 1632 , did not allow the mistake to escape him . SCENE II . P. 45. Trinculo , sheltering himself under the gabardine of Cali- ban , says , - " I ...
... says , “ That's verily , " instead of " That's verity . " The old corrector of the folio , 1632 , did not allow the mistake to escape him . SCENE II . P. 45. Trinculo , sheltering himself under the gabardine of Cali- ban , says , - " I ...
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according afterwards altered amended Antony appears authority blunder Cæsar Cleopatra compositor conjecture copyist Coriolanus corrected folio corruption Costard couplet Cymbeline defective doubt Duke editors emendation Enter epithet erased error evident exclaims expression eyes Falstaff father give given Hamlet hath heaven hemistich Henry Iachimo impressions inserted instance Italic type Johnson Julius Cæsar King Lady last line letter lines lower lord Macbeth Malone manu manuscript stage-direction manuscript-corrector margin meaning merely misheard misprint mistake modern editions necessary observes occurs old copies old corrector omitted Othello passage perhaps play poet Prince printed copies printed stage-direction printer probably proposed quartos and folios Queen remarks restored rhyme says SCENE I.
P. SCENE II scribe second folio second line seems sense sentence set right Shakespeare speaking speech spelt stands Steevens strange struck subsequent substituted suppose syllables tells thee Theobald thou tion verse Warburton written
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Seite 193 - If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die.— That strain again;— it had a dying fall; O, it came o'er my ear like the sweet south, That breathes upon a bank of violets, Stealing and giving odour.— Enough; no more; 'Tis not so sweet now as it was before.
Seite 122 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
Seite 139 - Thus ornament is but the guiled shore To a most dangerous sea; the beauteous scarf Veiling an Indian beauty; in a word, The seeming truth which cunning times put on To entrap the wisest.
Seite 112 - And where we are, our learning likewise is. Then, when ourselves we see in ladies...
Seite 144 - ... Therefore, prepare thee to cut off the flesh. Shed thou no blood ; nor cut thou less, nor more, But just a pound of flesh : if thou tak'st more, Or less, than a just pound, — be it but so much As makes it light, or heavy, in the substance, Or the division of the twentieth part Of one poor scruple ; nay, if the scale do turn But in the estimation of a hair, — Thou diest, and all thy goods are confiscate.
Seite 279 - A made a finer end, and went away, an it had been any christom child; 'a parted even just between twelve and one, even at the turning o' the tide: for after I saw him fumble with the sheets, and play with flowers, and smile upon his fingers...
Seite 28 - Come unto these yellow sands, And then take hands : Courtsied when you have, and kiss'd, The wild waves whist, Foot it featly here and there ; And, sweet Sprites, the burthen bear.
Seite 473 - I'd use them so That heaven's vault should crack. — She's gone for ever ! — I know when one is dead, and when one lives ; She's dead as earth. — Lend me a looking-glass ; If that her breath will mist or stain the stone, Why, then she lives.
Seite 375 - All tongues speak of him, and the bleared sights Are spectacled to see him : your prattling nurse Into a rapture lets her baby cry While she chats him : the kitchen malkin pins Her richest lockram 'bout her reechy neck, Clambering the walls to eye him...
Seite 487 - A fixed figure for the time of scorn To point his slow unmoving finger at...