Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to Social CustomPrinceton University Press, 1963 - 265 Seiten " I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction |
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Seite 125
... relation to the wedding of the Duke . Theseus and Hippolyta have a quite special sort of role : they are principals without being protagonists ; the play happens for them rather than to them . This relation goes with their being stand ...
... relation to the wedding of the Duke . Theseus and Hippolyta have a quite special sort of role : they are principals without being protagonists ; the play happens for them rather than to them . This relation goes with their being stand ...
Seite 195
... relation of the Prince to Falstaff can be summarized fairly adequately in terms of the relation of holiday to everyday . As the non - historical material came to Shakespeare in The Famous Victories of Henry the Fifth , the prince was ...
... relation of the Prince to Falstaff can be summarized fairly adequately in terms of the relation of holiday to everyday . As the non - historical material came to Shakespeare in The Famous Victories of Henry the Fifth , the prince was ...
Seite 205
... relation and the burlesque , elsewhere in Falstaff's part , of the attitudes of chivalry , concluded with nine- teenth - century critics like Ulrici and Victor Hugo that the comedy should be taken as a devastating satire on war and ...
... relation and the burlesque , elsewhere in Falstaff's part , of the attitudes of chivalry , concluded with nine- teenth - century critics like Ulrici and Victor Hugo that the comedy should be taken as a devastating satire on war and ...
Inhalt
THE SATURNALIAN | 3 |
HOLIDAY CUSTOM AND ENTERTAINMENT | 16 |
MISRULE AS COMEDY COMEDY AS MISRULE | 36 |
Urheberrecht | |
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Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to ... Cesar Lombardi Barber Eingeschränkte Leseprobe - 2012 |
Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to ... Cesar Lombardi Barber Eingeschränkte Leseprobe - 2011 |
Häufige Begriffe und Wortgruppen
action Antonio attitude audience awareness Bacchus Bassanio Berowne Bottom burlesque Chambers Christmas clowns comes comic convey Costard court custom dance describes disguise doth dramatic E. K. Chambers Earl Elizabethan Stage entertainment expression fairies Falstaff feast feeling festive comedy folly fool gestures give goes hath Hermia holiday humor imagination irony king Kyme ladies lines London Lord of Misrule Love's Labour's Lost lovers magic maids Malvolio Martin masque meaning Merchant of Venice merry Midsummer Night's Dream mirth mock mockery moral Nashe Nashe's nature occasion Olivia pageant pageantry pastimes pattern play poetry praise praise of folly presented prince Pyramus Queen relation Renaissance revel ritual role romantic Romeo Rosalind satire saturnalian scene Shakespeare Shylock sing social song sort South Kyme speech sport Stubbes Summer Lord Summer's Last sweet Talboys Dymoke talk thee Theseus thing thou Titania traditional Twelfth Night whole words
Verweise auf dieses Buch
Of Chastity and Power: Elizabethan Literature and the Unmarried Queen Philippa Berry Keine Leseprobe verfügbar - 1994 |