The Sources of Shakespeare's PlaysRoutledge, 04.04.2014 - 336 Seiten First published in 1977. This book ascertains what sources Shakespeare used for the plots of his plays and discusses the use he made of them; and secondly illustrates how his general reading is woven into the texture of his work. Few Elizabethan dramatists took such pains as Shakespeare in the collection of source-material. Frequently the sources were apparently incompatible, but Shakespeare's ability to combine a chronicle play, one or two prose chronicles, two poems and a pastoral romance without any sense of incongruity, was masterly. The plays are examined in approximately chronological order and Shakespeare's developing skill becomes evident. |
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Seite 16
... haue entertainment heere nor at home . Shakespeare amplified this hint by memories of the famous scene in the Amphitruo ( IV ) , in which the hero is shut out of his own house while Jupiter is with his wife . The business of the chain ...
... haue entertainment heere nor at home . Shakespeare amplified this hint by memories of the famous scene in the Amphitruo ( IV ) , in which the hero is shut out of his own house while Jupiter is with his wife . The business of the chain ...
Seite 18
... haue or mought haue in that faire mayden ' . The lady is not consulted , Titus taking his friend's place on the wedding night , without her knowing it . Elyot has to predicate a close resemblance between the two friends . Titus does not ...
... haue or mought haue in that faire mayden ' . The lady is not consulted , Titus taking his friend's place on the wedding night , without her knowing it . Elyot has to predicate a close resemblance between the two friends . Titus does not ...
Seite 21
... haue founde me lame ... ( Sig . A3 " ) She withdrew her good mynde and dylygence and when her husband called vpon her , she put the finger in the eye , and wepte . ( Sig . A9 ) Shakespeare seems to have echoed another of the Colloquies ...
... haue founde me lame ... ( Sig . A3 " ) She withdrew her good mynde and dylygence and when her husband called vpon her , she put the finger in the eye , and wepte . ( Sig . A9 ) Shakespeare seems to have echoed another of the Colloquies ...
Seite 35
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Inhalt
14 | |
22 | |
28 | |
Romeo and Juliet | 38 |
Richard II | 46 |
A MidsummerNights Dream | 66 |
Loves Labours Lost | 77 |
Comedies and Histories | 86 |
Measure for Measure | 174 |
Othello | 182 |
King Lear | 196 |
Macbeth | 208 |
Timon of Athens | 218 |
Antony and Cleopatra | 220 |
Coriolanus | 238 |
Last Plays | 252 |
The Merry Wives of Windsor | 103 |
Much Ado about Nothing | 113 |
As You Like It | 125 |
Twelfth Night | 132 |
Troilus and Cressida | 141 |
Tragic Period | 158 |
Alls Well that Ends Well | 170 |
Cymbeline | 258 |
The Winters Tale | 266 |
The Tempest | 278 |
Henry VIII | 283 |
Notes | 289 |
Index | 315 |
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