Lost in Space: Geographies of Science FictionRob Kitchin, James Kneale Bloomsbury Academic, 30.04.2002 - 211 Seiten Science fiction--one of the most popular literary, cinematic and television genres--has received increasing academic attention in recent years. For philosophers, critical theorists and others it opens up a space in which the here-and-now can be made strange or remade; where virtual reality and cyborg are no longer gimmicks or predictions, but new spaces and subjects.Lost in Space brings together an international collection of authors to explore the diverse spatialities and geographies of space. A diverse range of themes are examined--from geographical and sociological imaginations to nature, scale, geopolitics, modernity, time, identity, the body, power relations and the representation of space.Drawing on a range of theoretical approaches, the essays explore the writings of a broad selection of SF writers and films, including J. G. Ballard, Octavia Butler, Philip K. Dick, Frank Herbert, William Gibson, Marge Piercy, Kim Stanley Robinson, Neal Stephenson; the films include Aliens, Bladerunner, Dark City, The Fly, The Invisible Man and Metropolis.Contributors: Stuart C. Aitken, Nick Bingham, David Clarke, Marcus Doel, Sheila Hones, Shaun Huston, Michelle Kendrick, Paul Kingsbury, Michael W. Longan, Barbar J. Morehouse, Timothy Oakes, Jon Taylor Barney Warf |
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Seite 30
... mean anarchy , it means indeterminacy . These issues have important reper- cussions for social analysts , who should never lose sight of their own uncertainty principle . This view resembles philosophical realism ( Putnam 1987 ) . As ...
... mean anarchy , it means indeterminacy . These issues have important reper- cussions for social analysts , who should never lose sight of their own uncertainty principle . This view resembles philosophical realism ( Putnam 1987 ) . As ...
Seite 84
... means to overcome the friction of both material space and embodi- ment . Yet it is material space in which the characters must live , and back to which they must return . Indeed , it is dangerous to remain plugged into cyberspace for ...
... means to overcome the friction of both material space and embodi- ment . Yet it is material space in which the characters must live , and back to which they must return . Indeed , it is dangerous to remain plugged into cyberspace for ...
Seite 191
... means of participa- tion whereby the ' we ' made to participate in the ' collective experiments ' ( Latour 1999 ) – of which GM is only one - have a chance not only to question the way ahead , not only to veto the shortcut , but also to ...
... means of participa- tion whereby the ' we ' made to participate in the ' collective experiments ' ( Latour 1999 ) – of which GM is only one - have a chance not only to question the way ahead , not only to veto the shortcut , but also to ...
Inhalt
Lost in space | 1 |
alternative histories contingent geographies | 17 |
Geographys conquest of history in The Diamond Age | 39 |
Urheberrecht | |
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Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Eingeschränkte Leseprobe - 2005 |
Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Eingeschränkte Leseprobe - 2005 |
Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
alien alternative history argues Armitt Ballard become Blade Runner Blue Mars bodily body Bookchin characters China cinema constructed contingency create critical cultural cyberpunk cyberspace cyborg Dark City Diamond Age discourse Doel Drummers environment example explore fantasy feminist film-making Frankenstein future gender genre geography Gibson's Glop Hackworth human identity imagination Invisible J. G. Ballard landscape live London machine Mars Mars trilogy metaphor metaphysics metaphysics of presence Metaverse Miranda modern myth narrative Nell's neo-Victorians Nili novel past pataphysical phyles physics Piercy Piercy's planet political popular possible postmodern present Primer produce protagonists reader reading realism reality representation Robinson Routledge scene science fiction films sense sexual SF horror Shira Snow Crash social relations society space spatial Stephenson 1996a story structure suggest terraforming textual theory things third nature Tikva tion transformation ultimately University Press urban writing York