Lost in Space: Geographies of Science FictionRob Kitchin, James Kneale Bloomsbury Academic, 30.04.2002 - 211 Seiten Science fiction--one of the most popular literary, cinematic and television genres--has received increasing academic attention in recent years. For philosophers, critical theorists and others it opens up a space in which the here-and-now can be made strange or remade; where virtual reality and cyborg are no longer gimmicks or predictions, but new spaces and subjects.Lost in Space brings together an international collection of authors to explore the diverse spatialities and geographies of space. A diverse range of themes are examined--from geographical and sociological imaginations to nature, scale, geopolitics, modernity, time, identity, the body, power relations and the representation of space.Drawing on a range of theoretical approaches, the essays explore the writings of a broad selection of SF writers and films, including J. G. Ballard, Octavia Butler, Philip K. Dick, Frank Herbert, William Gibson, Marge Piercy, Kim Stanley Robinson, Neal Stephenson; the films include Aliens, Bladerunner, Dark City, The Fly, The Invisible Man and Metropolis.Contributors: Stuart C. Aitken, Nick Bingham, David Clarke, Marcus Doel, Sheila Hones, Shaun Huston, Michelle Kendrick, Paul Kingsbury, Michael W. Longan, Barbar J. Morehouse, Timothy Oakes, Jon Taylor Barney Warf |
Im Buch
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Seite 15
... rhetorical strategies ( e.g. metaphors ) and the conventions of fictional genres ( e.g. adventure stories ) which are capable of translating this mathematical world can do so only by reproducing conventional understandings of space ...
... rhetorical strategies ( e.g. metaphors ) and the conventions of fictional genres ( e.g. adventure stories ) which are capable of translating this mathematical world can do so only by reproducing conventional understandings of space ...
Seite 156
... rhetorical conven- tions . The tightness of this relationship between ' what we know ' , ' what we can say ' , and ' what we can imagine ' is fundamental to science fiction , where writers create strange worlds by reference to familiar ...
... rhetorical conven- tions . The tightness of this relationship between ' what we know ' , ' what we can say ' , and ' what we can imagine ' is fundamental to science fiction , where writers create strange worlds by reference to familiar ...
Seite 157
... rhetorical foundations of how we say it . The chapter makes this exploration through a comparison of a group of popular science texts with one very well- known science fiction novel , looking particularly at the different ways in which ...
... rhetorical foundations of how we say it . The chapter makes this exploration through a comparison of a group of popular science texts with one very well- known science fiction novel , looking particularly at the different ways in which ...
Inhalt
Lost in space | 1 |
alternative histories contingent geographies | 17 |
Geographys conquest of history in The Diamond Age | 39 |
Urheberrecht | |
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Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Eingeschränkte Leseprobe - 2005 |
Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Eingeschränkte Leseprobe - 2005 |
Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
alien alternative history argues Armitt Ballard become Blade Runner Blue Mars bodily body Bookchin characters China cinema constructed contingency create critical cultural cyberpunk cyberspace cyborg Dark City Diamond Age discourse Doel Drummers environment example explore fantasy feminist film-making Frankenstein future gender genre geography Gibson's Glop Hackworth human identity imagination Invisible J. G. Ballard landscape live London machine Mars Mars trilogy metaphor metaphysics metaphysics of presence Metaverse Miranda modern myth narrative Nell's neo-Victorians Nili novel past pataphysical phyles physics Piercy Piercy's planet political popular possible postmodern present Primer produce protagonists reader reading realism reality representation Robinson Routledge scene science fiction films sense sexual SF horror Shira Snow Crash social relations society space spatial Stephenson 1996a story structure suggest terraforming textual theory things third nature Tikva tion transformation ultimately University Press urban writing York