Characteristics of Women, Moral, Poetical, and HistoricalTicknor and Fields, 1865 - 467 Seiten |
Im Buch
Ergebnisse 1-5 von 27
Seite
... Cordelia . 259 280 HISTORICAL CHARACTERS . Cleopatra . ... Octavia ...... Volumnia .. 302 341 345 Constance of Bretagne . Elinor of Guienne ...... Blanche of Castile . Margaret of Anjou .. Katherine of Arragon .. Lady Macbeth . 357 387 ...
... Cordelia . 259 280 HISTORICAL CHARACTERS . Cleopatra . ... Octavia ...... Volumnia .. 302 341 345 Constance of Bretagne . Elinor of Guienne ...... Blanche of Castile . Margaret of Anjou .. Katherine of Arragon .. Lady Macbeth . 357 387 ...
Seite
... Cordelia . 219 .... 240 259 280 HISTORICAL CHARACTERS . Cleopatra .. Octavia . Volumnia . Constance of Bretagne .. Elinor of Guienne .. Blanche of Castile . 302 341 345 357 387 389 Margaret of Anjou .. Katherine of Arragon . Lady ...
... Cordelia . 219 .... 240 259 280 HISTORICAL CHARACTERS . Cleopatra .. Octavia . Volumnia . Constance of Bretagne .. Elinor of Guienne .. Blanche of Castile . 302 341 345 357 387 389 Margaret of Anjou .. Katherine of Arragon . Lady ...
Seite 7
... Cordelia . ....... Cleopatra . Octavia ... Volumnia . Constance of Bretagne . Elinor of Guienne . 219 240 259 280 HISTORICAL CHARACTERS . 302 341 345 357 387 Blanche of Castile .. Margaret of Anjou ... Katherine of Arragon . Lady ...
... Cordelia . ....... Cleopatra . Octavia ... Volumnia . Constance of Bretagne . Elinor of Guienne . 219 240 259 280 HISTORICAL CHARACTERS . 302 341 345 357 387 Blanche of Castile .. Margaret of Anjou ... Katherine of Arragon . Lady ...
Seite 48
... of the noblest modifications of it in Hermione , in Cordelia , in Imogen , in Katherine of Arragon . MEDON . And what do you call the courage of Lady Mac- beth ? -- My hands are of your color , but I shame 48 INTRODUCTION .
... of the noblest modifications of it in Hermione , in Cordelia , in Imogen , in Katherine of Arragon . MEDON . And what do you call the courage of Lady Mac- beth ? -- My hands are of your color , but I shame 48 INTRODUCTION .
Seite 234
... Cordelia , -constructed upon so high and pure a principle . It is the union of gentleness with power which constitutes the perfection of mental grace . Thus among the ancients , with whom the graces were also the charities , ( to show ...
... Cordelia , -constructed upon so high and pure a principle . It is the union of gentleness with power which constitutes the perfection of mental grace . Thus among the ancients , with whom the graces were also the charities , ( to show ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acter admirable affection ALDA Anna Bullen Antigone Antony APOLLODORUS ARSINOE Bassanio Beatrice beauty Benedick Bretagne Cæsar Camiola character charm CHARMIAN CLEOPATRA coloring Constance Cordelia Coriolanus CYMBELINE daughter death delicacy Desdemona dignity dramatic Elinor eloquence exquisite eyes fancy father fear feeling female feminine fond gentle grace grief Hamlet hath heart heaven Helena Henry Hermione heroine honor husband Iago imagination Imogen intellect Isabella Juliet Katherine king Lady Macbeth Lear Leontes lord lover madam Madame de Staël marriage MEDON mind Miranda mistress moral mother nature ness never noble Octavia once Ophelia Othello passion patra Perdita pity placed play poetical poetry Portia portrait Posthumus pride prince queen Romeo Romeo and Juliet Rosalind scene scorn sense sentiment Shak Shakspeare Shakspeare's Shylock simplicity soft soul speak spirit story sweet temper tenderness thee thing thou tion tragedy true truth Viola virtue Volumnia whole wife Wolsey woman women words
Beliebte Passagen
Seite 411 - This supernatural soliciting Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, • Against the use of nature...
Seite 115 - My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
Seite 61 - The crow doth sing as sweetly as the lark, When neither is attended ; and, I think, The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Seite 75 - The quality of mercy is not strain'd, It droppeth as the gentle rain from heaven Upon the place beneath; it is twice bless'd; It blesseth him that gives and him that takes...
Seite 163 - I'd have you do it ever : when you sing, I'd have you buy and sell so ; so give alms ; Pray so ; and, for the ordering your affairs, To sing them too. When you do dance, I wish you A wave o...
Seite 417 - Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
Seite 359 - You are my true and honourable wife; As dear to me, as are the ruddy drops That visit my sad heart.
Seite 75 - Well believe this, No ceremony that to great ones 'longs, Not the king's crown, nor the deputed sword, The marshal's truncheon, nor the judge's robe, Become them with one half so good a grace, As mercy does.
Seite 165 - Give me those flowers there, Dorcas. Reverend sirs, For you there's rosemary and rue ; these keep Seeming and savour all the winter long : Grace and remembrance be to you both, And welcome to our shearing ! Pol.
Seite 4 - Yes, I am proud; I must be proud to see Men not afraid of God afraid of me: Safe from the Bar, the Pulpit, and the Throne, Yet touched and shamed by ridicule alone.