A Critical History of English PoetryChatto & Windus, 1950 - 539 Seiten |
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Seite 281
... feeling Crabbe became engaged on September 22. The excitement , how- ever , the feeling of a break with his past life , was too much for him , and on December 12 , as his journal notes , " Charlotte's picture was returned . " These ...
... feeling Crabbe became engaged on September 22. The excitement , how- ever , the feeling of a break with his past life , was too much for him , and on December 12 , as his journal notes , " Charlotte's picture was returned . " These ...
Seite 309
... feeling . But what Johnson is driving at is clear and just . The cultivated and thinking mind can- not be satisfied with a great deal that charms it in an earlier or a simpler , more popular literature . But that was in its way the rela ...
... feeling . But what Johnson is driving at is clear and just . The cultivated and thinking mind can- not be satisfied with a great deal that charms it in an earlier or a simpler , more popular literature . But that was in its way the rela ...
Seite 516
... feeling . If Bridges drew away more and more from the strongly stressed ballad metre to which Swinburne had given ... feeling for the charm of southern English scenery , Kipling's closest affinity is with a novelist and poet of a very ...
... feeling . If Bridges drew away more and more from the strongly stressed ballad metre to which Swinburne had given ... feeling for the charm of southern English scenery , Kipling's closest affinity is with a novelist and poet of a very ...
Inhalt
Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
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A Critical History of English Poetry Sir Herbert John Clifford Grierson Keine Leseprobe verfügbar - 2013 |
Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction didactic Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination inspired interest John Johnson Keats King Lady language later lines live lover Lycidas metre Milton mind mood moral Nature never night odes Oxfd Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne tells Tennyson thee theme things Thomas thou thought tion tradition tragedy translation truth vols words Wordsworth write written wrote