A Critical History of English PoetryChatto & Windus, 1950 - 539 Seiten |
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Seite 74
... influences differentiated the second phase of our Renaissance poetry from the first . Wyatt and Surrey knew no Greek ; Spenser and Sidney knew a good deal , if not a great deal . Again , in Tudor days the influence of Italy was ...
... influences differentiated the second phase of our Renaissance poetry from the first . Wyatt and Surrey knew no Greek ; Spenser and Sidney knew a good deal , if not a great deal . Again , in Tudor days the influence of Italy was ...
Seite 451
... influence of her spirit , we say ; no literary influence , her or another's , is perceptible in his mature work . He got over his Byronic measles at twelve and worked off his passion for Shelley in Pauline by the time he was twenty ...
... influence of her spirit , we say ; no literary influence , her or another's , is perceptible in his mature work . He got over his Byronic measles at twelve and worked off his passion for Shelley in Pauline by the time he was twenty ...
Seite 530
... influence on later poets , was due in no small measure to their emergence just at this date . For if anything is ... influence of Hopkins has of late been much exaggerated . The greatest influence has been that of Hardy , alike in ...
... influence on later poets , was due in no small measure to their emergence just at this date . For if anything is ... influence of Hopkins has of late been much exaggerated . The greatest influence has been that of Hardy , alike in ...
Inhalt
Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
Urheberrecht | |
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A Critical History of English Poetry Sir Herbert John Clifford Grierson Keine Leseprobe verfügbar - 2013 |
Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction didactic Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination inspired interest John Johnson Keats King Lady language later lines live lover Lycidas metre Milton mind mood moral Nature never night odes Oxfd Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne tells Tennyson thee theme things Thomas thou thought tion tradition tragedy translation truth vols words Wordsworth write written wrote