The Spoken Word in Life and ArtPrentice-Hall, Incorporated, 1937 - 512 Seiten |
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Seite 65
... given . Exercises in Pitch 1. Make a list of ten of your acquaintances . Arrange them according to the height or depth of pitch you think they ordi- narily use in talking . Compare your arrangement with that of a friend who knows them ...
... given . Exercises in Pitch 1. Make a list of ten of your acquaintances . Arrange them according to the height or depth of pitch you think they ordi- narily use in talking . Compare your arrangement with that of a friend who knows them ...
Seite 231
... given above , except when meaning demands the emphasized , strong forms . In reading , many persons exhibit a tendency to use only strong forms . As a result , the thought of what they read is obscured and the reader sounds more like a ...
... given above , except when meaning demands the emphasized , strong forms . In reading , many persons exhibit a tendency to use only strong forms . As a result , the thought of what they read is obscured and the reader sounds more like a ...
Seite 262
... given as a single phrase , the line " Therefore doth heaven divide " has a certain meaning . But that meaning is not the true one , when one considers the sentence of which the line quoted is a part : " Therefore doth heaven divide the ...
... given as a single phrase , the line " Therefore doth heaven divide " has a certain meaning . But that meaning is not the true one , when one considers the sentence of which the line quoted is a part : " Therefore doth heaven divide the ...
Inhalt
INTRODUCTION | 1 |
CHAPTER | 9 |
Mechanism of breathing | 16 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abdominal actor arch arytenoid arytenoid cartilages audience becomes breath called cartilage cavity changes chest consonant coördination cricoid cartilage Description Diacritical marks diaphragm diphthong emotional English epiglottis Exercises exhalation expelled Faults feeling front glide glottal glottal stop glottis gums hard palate hear Hyoid bone inflection inhalation initial sound intonation larynx lips lower lungs Macbeth Material for practice means mechanism mouth muscles nasal nasal consonants nose organs pauses pharynx phoneme phrase pitch level play position produced pronunciation pure vowel reading relaxed resonators ribs rising inflection Romeo and Juliet rounded Scene sentence slowly soft palate sound waves speaker speaking speech Spelling stop stress student substituted syllables teeth tense thee thou throat Thyroid cartilage tion tone tongue trachea unvoiced upper Usage usually utterance vibrations vocal bands voice voiceless voiceless consonant volume vowel sound walls words