Shakespeare's Tragic SkepticismYale University Press, 01.01.2002 - 283 Seiten Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small--the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces. |
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Seite 7
... evidences of a universal disturbance . It would be readily felt that the storms that rage in Julius Caesar or King Lear are not merely poetic metaphor of social and po- litical turmoil but literal symptoms of discord and disorder in all ...
... evidences of a universal disturbance . It would be readily felt that the storms that rage in Julius Caesar or King Lear are not merely poetic metaphor of social and po- litical turmoil but literal symptoms of discord and disorder in all ...
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... evidence that Shakespeare knew these essays directly . He could have been reading them in the French editions published in the 1580s , but we know that he read John Florio's translation— from which I have been quoting — published in ...
... evidence that Shakespeare knew these essays directly . He could have been reading them in the French editions published in the 1580s , but we know that he read John Florio's translation— from which I have been quoting — published in ...
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... evidences of what might seem the great artist's bumbles or omissions , his inattentiveness to traditional dramatic requirements . It is a fact that Shakespeare's chief personages often seem to lack clearly defined and consistent ...
... evidences of what might seem the great artist's bumbles or omissions , his inattentiveness to traditional dramatic requirements . It is a fact that Shakespeare's chief personages often seem to lack clearly defined and consistent ...
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Inhalt
Hamlet Revenge | 29 |
Othellos Jealousy | 80 |
Unaccommodated Lear | 138 |
Macbeths Deeds | 191 |
The Roman Frame | 241 |
Selected Bibliography | 279 |
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Häufige Begriffe und Wortgruppen
action actor ambiguous ambition Antony and Cleopatra Antony's appears asks audience Banquo blood Brabantio Brutus called Cassio cause character Claudius Cordelia crime daughters death deed denies Desdemona doubt dramatic Duncan Edgar Edmund Emilia expressed faith false father feel fideism Florio Folio Fool Fortinbras fourth act ghost Gloucester Goneril Hamlet hath hear Holinshed Horatio human Iago Iago's idea identity imagination jealousy Julius Caesar Kent killed King Lear Lady Macbeth Laertes lago Lear's Macduff Machiavellian madness Malcolm marriage meaning mind Montaigne Montaigne's motive murder nature never observed Ophelia Othello philosophic skepticism play's playwright plot Plutarch Polonius prophecy Quarto reference Regan reminds revenge Roderigo role Roman royal says scene seems selfhood sense sexual Shake Shakespeare Shakespeare's play skepticism social soliloquy someone speaks speare's stage story suggested tells theater theatrical things thou thought tion tragedy tragic trial true truth witchcraft witches word
Verweise auf dieses Buch
Vanities of the Eye: Vision in Early Modern European Culture Stuart Clark Keine Leseprobe verfügbar - 2007 |
Special Section, Shakespeare and Montaigne Revisited Graham Bradshaw,T. G. Bishop,Peter Holbrook Eingeschränkte Leseprobe - 2006 |