Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 20.06.2005 - 340 Seiten Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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... structural principle; it is interactive and interactional. It is a mode of speech exchangeamongparticipants, speechin relation to another'sspeechandnotmerelythe verbalexpression ofone character or actor's 'part'. Dialogue belongs not to ...
... structural principle; it is interactive and interactional. It is a mode of speech exchangeamongparticipants, speechin relation to another'sspeechandnotmerelythe verbalexpression ofone character or actor's 'part'. Dialogue belongs not to ...
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... structure andnot necessarily to content, function or verbal texture. Butthe alternating speech possibilities afforded by theformhave beenputto varied uses which have conditioned manifestations of it accordingly. Variationscan be seen in ...
... structure andnot necessarily to content, function or verbal texture. Butthe alternating speech possibilities afforded by theformhave beenputto varied uses which have conditioned manifestations of it accordingly. Variationscan be seen in ...
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... in similar debatesregarding poetic language (Herman 1983:99–122). Notions of deviance are often grammatically motivated, but there islittleinthe grammatical structures of dramatic speech which could be classified as deviant.
... in similar debatesregarding poetic language (Herman 1983:99–122). Notions of deviance are often grammatically motivated, but there islittleinthe grammatical structures of dramatic speech which could be classified as deviant.
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Dialogue as Interaction in Plays Vimala Herman. structures of dramatic speech which could be classified as deviant. Poetry may be a candidate case, but not all dramatic speech ispoetry, not evenina dramatist like Shakespeare. Manfred ...
Dialogue as Interaction in Plays Vimala Herman. structures of dramatic speech which could be classified as deviant. Poetry may be a candidate case, but not all dramatic speech ispoetry, not evenina dramatist like Shakespeare. Manfred ...
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... structural organization of alternating speech, its sequencing procedures, since speech has aprojectiveand aretroactivedimensionto it; it calls forth counterspeech indifferent ways sincespeech alternation is notrandom,but structured even ...
... structural organization of alternating speech, its sequencing procedures, since speech has aprojectiveand aretroactivedimensionto it; it calls forth counterspeech indifferent ways sincespeech alternation is notrandom,but structured even ...
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