The Time Is Out of Joint: Shakespeare as Philosopher of HistoryRowman & Littlefield Publishers, 23.07.2002 - 384 Seiten The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall 'out of joint' and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness. |
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Seite 1
... Octavius Caesar in Antony and Cleopatra). Only in some comedies (As You Like It,Much Ado about Nothing, and A Midsummer Night's Dream) will time be set right to everyone's sat- isfaction—sometimes even for the villains (as in As You ...
... Octavius Caesar in Antony and Cleopatra). Only in some comedies (As You Like It,Much Ado about Nothing, and A Midsummer Night's Dream) will time be set right to everyone's sat- isfaction—sometimes even for the villains (as in As You ...
Seite 2
... Octavius Caesar speak philosophically. “The philosophy of Shakespeare” is like “the language of Shakespeare.” Every Shakespearean character speaks his or her own lan- guage. Some of them (like some soldiers or generals) are witty and ...
... Octavius Caesar speak philosophically. “The philosophy of Shakespeare” is like “the language of Shakespeare.” Every Shakespearean character speaks his or her own lan- guage. Some of them (like some soldiers or generals) are witty and ...
Seite 30
... Octavius inter- prets and reinterprets at least three times Antony's and Cleopatra's motiva- tions and personalities. And here the play ends. Even within one single scene the act and the word of a hero can be interpreted by another in ...
... Octavius inter- prets and reinterprets at least three times Antony's and Cleopatra's motiva- tions and personalities. And here the play ends. Even within one single scene the act and the word of a hero can be interpreted by another in ...
Seite 60
... Octavius Caesar are the most typical political (Machiavellian) actors of this supreme kind. What is problematic for Shakespeare politically, and usually also from a moral point of view, is the hybrid case: someone rebels against the ...
... Octavius Caesar are the most typical political (Machiavellian) actors of this supreme kind. What is problematic for Shakespeare politically, and usually also from a moral point of view, is the hybrid case: someone rebels against the ...
Seite 68
... Octavius); but he is always also a hypocrite. Hypocrisy, particularly political hypocrisy, takes diverse forms in Shake- speare's plays. Every Shakespearean hypocrite is a hypocrite in his own way. For as I said, Shakespeare—unlike ...
... Octavius); but he is always also a hypocrite. Hypocrisy, particularly political hypocrisy, takes diverse forms in Shake- speare's plays. Every Shakespearean hypocrite is a hypocrite in his own way. For as I said, Shakespeare—unlike ...
Inhalt
1 | |
13 | |
Part II The History Plays
| 161 |
Part III Three Roman Plays
| 279 |
Postscript Historical Truth and Poetic Truth
| 367 |
About the Author
| 375 |
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The Time is Out of Joint: Shakespeare as Philosopher of History Agnes Heller Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
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