The Time Is Out of Joint: Shakespeare as Philosopher of HistoryRowman & Littlefield Publishers, 23.07.2002 - 384 Seiten The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall 'out of joint' and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness. |
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Seite 3
... ofthe impact ofthe evil turn of fate (Julius Caesar). In this broader sense, all philosophical man- ifestations are contextual. The character “philosopher” also appears in Timon ofAthens, where Ape- mantus remains, similar to the Stoics ...
... ofthe impact ofthe evil turn of fate (Julius Caesar). In this broader sense, all philosophical man- ifestations are contextual. The character “philosopher” also appears in Timon ofAthens, where Ape- mantus remains, similar to the Stoics ...
Seite 18
... of the already pacified plebes, who are by then more interest- ed in looting foreign countries than in republican freedom.This sequel also leads somewhere, for we do not return to the beginning.The very ques- tionable freedom ofthe ...
... of the already pacified plebes, who are by then more interest- ed in looting foreign countries than in republican freedom.This sequel also leads somewhere, for we do not return to the beginning.The very ques- tionable freedom ofthe ...
Seite 19
... ofthe paradox of divinejustice and the absence of even a deus absconditus means for the dramatic struc- ture of Shakespeare's history plays: nothing in history depends on divine presence or absence. This is one of the crucial ...
... ofthe paradox of divinejustice and the absence of even a deus absconditus means for the dramatic struc- ture of Shakespeare's history plays: nothing in history depends on divine presence or absence. This is one of the crucial ...
Seite 22
... of the comedies). In the history plays, the question of what is natural revolves first around the conflict between the right of nature and the inherited rights; but Shakespeare never stops at this level.Whenever the question ofthe right ...
... of the comedies). In the history plays, the question of what is natural revolves first around the conflict between the right of nature and the inherited rights; but Shakespeare never stops at this level.Whenever the question ofthe right ...
Seite 28
... of the chain of events accelerates toward the end.The chain of events that defies the present and the past as nothing can also end in nothingness ... ofthe free fall begins (and if it begins, because it does not always do 28 Chapter One.
... of the chain of events accelerates toward the end.The chain of events that defies the present and the past as nothing can also end in nothingness ... ofthe free fall begins (and if it begins, because it does not always do 28 Chapter One.
Inhalt
1 | |
13 | |
Part II The History Plays
| 161 |
Part III Three Roman Plays
| 279 |
Postscript Historical Truth and Poetic Truth
| 367 |
About the Author
| 375 |
Andere Ausgaben - Alle anzeigen
The Time is Out of Joint: Shakespeare as Philosopher of History Agnes Heller Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
absolute stranger accusations actors already Antony and Cleopatra Antony’s asks becomes begins believe betrayed Bolingbroke Brutus Cassius Claudius comedies Coriolanus Coriolanus’s curses death double bind drama duchess Duke enemies Enobarbus existential fact fate father fight forgiveness Gloucester God’s grandeur guilty Hamlet happens hatred Henry’s HenryVI heroes historical history plays Horatio Iago interpretation Julius Caesar kill kind King Henry King Lear king’s Lady Macbeth lovers Machiavellian madness Marc Antony Margaret Midsummer Night’s Dream moral mother murder nature needs never Octavius ofjoint ofthe ofYork one’s Ophelia Othello passion patrician perhaps person plebeians Plutarch political portrays Prince queen radical evil rage reason remains Richard role Roman Rome says scene sense sexual Shake Shakespeare Shakespearean characters Shylock soul speaks stage manager story Suffolk theater thee thing thou throne traditional tragedy true truth turns tyrant understand virtue wants wicked women words