<i> Ronald Reagan </i> The Movie: And Other Episodes in Political DemonologyThe fear of the subversive has governed American politics, from the racial conflicts of the early republic to the Hollywood anti-Communism of Ronald Reagan. Political monsters—the Indian cannibal, the black rapist, the demon rum, the bomb-throwing anarchist, the many-tentacled Communist conspiracy, the agents of international terrorism—are familiar figures in the dream life that so often dominates American political consciousness. What are the meanings and sources of these demons? Why does the American political imagination conjure them up? Michael Rogin answers these questions by examining the American countersubversive tradition. |
Was andere dazu sagen - Rezension schreiben
Ronald Reagan, the movie and other episodes in political demonology
Nutzerbericht - Not Available - Book VerdictIn this collection of essays, political scientist Rogin postulates a demonological tradition in the mainstream of American politics. This demonology entails the "creation of monsters . . . by the ... Vollständige Rezension lesen
LibraryThing Review
Nutzerbericht - Fledgist - LibraryThingEssays on politics in the 1980s, in particular on Reagan and his affect. Vollständige Rezension lesen
Inhalt
Ronald Reagan the Movie | 1 |
Political Repression in the United States | 44 |
Lincoln Wilson | 81 |
Nonpartisanship and the Group Interest | 115 |
Liberal Society and the Indian Question | 134 |
Nature as Politics and Nature as Romance | 169 |
D | 190 |
Communism Motherhood | 236 |
tion 1984 | 305 |
Andere Ausgaben - Alle anzeigen
Ronald Reagan The Movie: And Other Episodes in Political Demonology Michael Rogin Eingeschränkte Leseprobe - 1988 |
"Ronald Reagan," the Movie: And Other Episodes in Political Demonology Michael Paul Rogin Eingeschränkte Leseprobe - 1987 |
Häufige Begriffe und Wortgruppen
action actor actual alien American political authority become Birth body called castration character Civil claimed cold Communism Communist countersubversive culture danger death dependence desire destroyed domestic dominant explained father fear female film force freedom Griffith hand heart helped Hollywood human identity independence Indians individual influence interest internal Jackson John killed King's Klan labor land leaders liberal Lincoln living mass meaning mother moved movie nature Nixon offered once organization party picture played president protect Reagan replaced repression responsibility Richard role scene screen secret separate sexual social society South southern subversive symbolic threat tion told tradition turn Union United violence wanted White House Wilson woman women wrote York