Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 61Gale Research Company, 1984 |
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Seite 201
... audience can infer only that she is the king's youngest daughter . The ef- fect of this syncopated presentation is that we have to construe her existential position from the manner in which she begins to envisage and evaluate the ...
... audience can infer only that she is the king's youngest daughter . The ef- fect of this syncopated presentation is that we have to construe her existential position from the manner in which she begins to envisage and evaluate the ...
Seite 207
... audience . 107 As Shakespeare's dramaturgy increasingly interrogates the ideology of monarchy both from inside and outside its own framework , the socially heterogeneous audience is placed in a position to criticize the king which is ...
... audience . 107 As Shakespeare's dramaturgy increasingly interrogates the ideology of monarchy both from inside and outside its own framework , the socially heterogeneous audience is placed in a position to criticize the king which is ...
Seite 390
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 King Lear 19 : 295 ; 28 : 325 ; 61 : 176 Richard II 24 : 414 , 423 ; 39 : 295 Pericles 42 ...
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 King Lear 19 : 295 ; 28 : 325 ; 61 : 176 Richard II 24 : 414 , 423 ; 39 : 295 Pericles 42 ...
Inhalt
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Urheberrecht | |
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