Shakespeare Studies, Band 30Leeds Barroll, Susan Zimmerman Fairleigh Dickinson Univ Press, 2002 - 352 Seiten Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres. |
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Seite 13
... Social Pathology in Early Modern England ( 1998 ) , and the co - editor , with Natasha Korda , of Staged Properties in Early Modern English Drama ( 2002 ) , he is currently at work on a book called Etiologies of the Economy : Dramas of ...
... Social Pathology in Early Modern England ( 1998 ) , and the co - editor , with Natasha Korda , of Staged Properties in Early Modern English Drama ( 2002 ) , he is currently at work on a book called Etiologies of the Economy : Dramas of ...
Seite 15
... Social Dialogue : Dramatic Language and Elizabethan Letters . Currently she is writ- ing a book on Elizabethan women's letters and editing Love's La- bour's Lost . JOHN PARKER is Assistant Professor of English at Harvard Univer ...
... Social Dialogue : Dramatic Language and Elizabethan Letters . Currently she is writ- ing a book on Elizabethan women's letters and editing Love's La- bour's Lost . JOHN PARKER is Assistant Professor of English at Harvard Univer ...
Seite 24
... social classes . In the face of these well - nigh insurmountable definitional diffi- culties , a now almost orthodox method of approach is to " contextu- alize " the literary text , a move that seeks to challenge the notion of an ...
... social classes . In the face of these well - nigh insurmountable definitional diffi- culties , a now almost orthodox method of approach is to " contextu- alize " the literary text , a move that seeks to challenge the notion of an ...
Seite 41
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Inhalt
9 | |
11 | |
23 | |
26 | |
31 | |
Afterlife | 36 |
The Promise of History | 43 |
Atomic Shakespeare | 47 |
Catholicism Gender and SeventeenthCentury Print Culture | 224 |
Female Authority and Literary Experiment in Spenser Shakespeare and Milton | 228 |
Representation Race and Empire in Renaissance England | 232 |
English Renaissance Examples | 234 |
Death and Remembrance in Late Medieval and Early Modern Europe | 242 |
Shakespeares Noise | 247 |
Caravaggio Marlowe and Bacon | 254 |
Marx Keynes and the Language of Reenchantment | 258 |
Introduction | 55 |
HyperRevels in Cyberspace | 62 |
Four Playhouses and the Bear Garden | 74 |
Early London Pageantry and Theater History Firsts | 84 |
John Brayne and His Other BrotherinLaw | 93 |
Domestical Matters | 99 |
Sir John Astley and Court Culture | 106 |
Two Playhouses Both Alike in Dignity | 111 |
The Case of Aaron and Martin | 118 |
Some Recent Dramatic Manuscript Studies | 128 |
Counterfeit Sovereigns The Crisis of Value in 1 Henry IV | 137 |
Henry V and the Politics of the English History Play | 162 |
Cultural Alliances and National Identity in Cymbeline | 188 |
A Feminist Companion to Shakespeare | 219 |
English Drama in the Sixteenth Century | 220 |
Home State and History in Early Modern European Drama and Painting | 271 |
The Tempest and Its Travels | 282 |
Renaissance Clothing and the Materials of Memory | 284 |
Shakespeare after Theory | 288 |
NationalImperial ReVisions of Race Rape and Sacrifice | 294 |
Figuring Caregiving in the Early Modern Period | 300 |
Material London ca 1600 | 304 |
Shakespeare the Subject and Early Modern Culture | 309 |
Fictions of Agency Renaissance to Modern | 313 |
Critical Essays | 318 |
Works and Days of Simon Forman | 326 |
Drama and the Law in Early Modern England | 333 |
Lanyer A Renaissance Woman Poet | 337 |
Index | 341 |
Häufige Begriffe und Wortgruppen
Anchor Terrace ancient Rome Andrew Gurr archaeological argues argument audience Blackfriars Blatherwick Brayne Britain British Castlehaven century chapter chronicle chronicle play claim coin coinage contemporary Italy context Coppélia counterfeit court critics cultural Cymbeline Cymbeline's desire discourse Dolan drama Early Modern England early modern English edition Elizabethan entry essays evidence Falstaff female figure Forman gender Globe Goldberg Hamlet Harries Harries's Helgerson Henry Henry IV Henslowe Henslowe's Herrup historicism Iachimo identity Imogen Italian Italy Jacobean James John Jonson's Kastan king King's King's Men Lanyer literary London male material narrative offers Oxford pageant performance Philip Henslowe play play's players playhouse Playing Companies poem political Posthumus Professor of English queen question rape readers reading records Red Bull Renaissance representation rhetoric Roman Rome royal scholars sexual Shakespeare Simon Forman Slater social Sonnets stage Stowers suggests texts theater theatrical tion women writing
Beliebte Passagen
Seite 179 - This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered ; We few, we happy few, we band of brothers...
Seite 176 - O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height. On, on, you noblest English, Whose blood is fet from fathers of war-proof! Fathers that, like so many Alexanders, Have in these parts from morn till even fought And sheathed their swords for lack of argument : Dishonor not your mothers; now attest That those whom you call'd fathers did beget you.
Seite 49 - She is the fairies' midwife ; and she comes In shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep : Her waggon-spokes made of long spinners...
Seite 148 - So, when this loose behaviour I throw off, And pay the debt I never promised, By how much better than my word I am, By so much shall I falsify men's hopes ; And, like bright metal on a sullen ground, My reformation, glittering o'er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off.
Seite 165 - Finally, it is imagined as a community, because, regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship.
Seite 37 - The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Seite 179 - We few, we happy few, we band of brothers ; For he to-day that sheds his blood with me Shall be my brother ; be he ne'er so vile This day shall gentle his condition ; And gentlemen in England, now a-bed, Shall think...
Seite 170 - How would it haue ioyed braue Talbot (the terror of the French) to thinke that after he had lyne two hundred yeares in his Tombe, hee should...
Seite 161 - Social capital is the aggregate of the actual or potential resources which are linked to possession of a durable network of more or less institutionalized relationships of mutual acquaintance and recognition...
Seite 38 - And joyed to wear the dressing of his lines ! Which were so richly spun. And woven so fit, As, since, she will vouchsafe no other wit The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie...