The British Theatre: Or, A Collection of Plays, which are Acted at the Theatres Royal, Drury Lane, Convent Gardin, Haymarket, and Lyceum, Band 8 |
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Seite 18
Hast. Dismiss my train, and wait alone without.— Alicia here ! Unfortunate
encounterl. But be it as it may. Alicia. When humbly, thus, The great descend to
visit the afflicted, When thus, unmindful of their rest, they come To sooth the
sorrows of ...
Hast. Dismiss my train, and wait alone without.— Alicia here ! Unfortunate
encounterl. But be it as it may. Alicia. When humbly, thus, The great descend to
visit the afflicted, When thus, unmindful of their rest, they come To sooth the
sorrows of ...
Seite 19
Hast. "Tis well, madam. But I would see your friend. Alicia. Oh, thou false lord 1 I
would be mistress of my heaving heart, Stifle this rising rage, and learn from thee
To dress my face in easy, dull indiff'rence: But 'twill not be; my wrongs will tear ...
Hast. "Tis well, madam. But I would see your friend. Alicia. Oh, thou false lord 1 I
would be mistress of my heaving heart, Stifle this rising rage, and learn from thee
To dress my face in easy, dull indiff'rence: But 'twill not be; my wrongs will tear ...
Seite 23
Hast. Can I behold thee, and not speak of love? Een now, thus sadly as thou
stand'st before me, Thus desolate, dejected, and forlorn, Thy softness steals upon
my yielding senses, Till my soul faints, and sickens with desire. How can'st thou ...
Hast. Can I behold thee, and not speak of love? Een now, thus sadly as thou
stand'st before me, Thus desolate, dejected, and forlorn, Thy softness steals upon
my yielding senses, Till my soul faints, and sickens with desire. How can'st thou ...
Seite 24
Hast. Away with this perverseness l—'tis too much. Nay, if you strive—'tis
monstrous affectation 1 [Striving. J. Shore. Retire I beg you leave me— Hast. This
way to your chamber; [Pulling her. There, if you struggle J. Shore. Help, oh,
gracious ...
Hast. Away with this perverseness l—'tis too much. Nay, if you strive—'tis
monstrous affectation 1 [Striving. J. Shore. Retire I beg you leave me— Hast. This
way to your chamber; [Pulling her. There, if you struggle J. Shore. Help, oh,
gracious ...
Seite 33
Let quick destruction overtake me here , And end my sorrows and my shame for -
ever . Hast . Away with this perverseness ! - ' tis too much . Nay , if you strive ' tis
monstrous affectation ! [ Striving . J . Shore . Retire ! I beg you leave me Hast .
Let quick destruction overtake me here , And end my sorrows and my shame for -
ever . Hast . Away with this perverseness ! - ' tis too much . Nay , if you strive ' tis
monstrous affectation ! [ Striving . J . Shore . Retire ! I beg you leave me Hast .
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Alicia Alon Alonzo Antony arms Arth Arthur attend bear beauty better blood breath bring Caesar cause Cleopatra comes curse dead death Don Carlos dost doth EARL England English Enter Exit eyes face fair fall father Faul fear fight fortune France gentle give gone grief guard hand Hast hath head hear heart Heaven hold honour hope hour Hubert John keep king lady land leave Leon Leonora live look lord means meet nature never night noble once pains peace play Poins poor prince reason rest revenge SCENE shame Shore soul speak stand sure tears tell thee thing thou thou art thou hast thought tongue true turn Young Zanga
Bibliografische Informationen
| Titel | The British Theatre: Or, A Collection of Plays, which are Acted at the Theatres Royal, Drury Lane, Convent Gardin, Haymarket, and Lyceum, Band 8 The British Theatre: Or, A Collection of Plays, which are Acted at the Theatres Royal, Drury Lane, Convent Gardin, Haymarket, and Lyceum, Mrs. Inchbald |
| Herausgeber | Mrs. Inchbald |
| Verlag | Hurst, Robinson, 1824 |
| Original von | Harvard University |
| Digitalisiert | 2. Febr. 2006 |
| Zitat exportieren | BiBTeX EndNote RefMan |