The British Theatre: Or, A Collection of Plays, which are Acted at the Theatres Royal, Drury Lane, Convent Gardin, Haymarket, and Lyceum, Band 8 |
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Seite 33
( Kneeling ] Oh , noble Gloster , turn thy gracious eye , Incline thy pitying ear to
my complaint ! A poor , undone , forsaken , helpless woman , Intreats a little
bread for charity , To feed her wants , and save her life from perishing . Glo . Arise
, fair ...
( Kneeling ] Oh , noble Gloster , turn thy gracious eye , Incline thy pitying ear to
my complaint ! A poor , undone , forsaken , helpless woman , Intreats a little
bread for charity , To feed her wants , and save her life from perishing . Glo . Arise
, fair ...
Seite 34
O, noble Hastings! Nay, I must embrace you; [Embraces him. By holy Paul, y're a
right honest man The time is full of danger and distrust, And warns us to be wary.
Hold me not Too apt for jealousy and light surmise, If, when I meant to lodge you
...
O, noble Hastings! Nay, I must embrace you; [Embraces him. By holy Paul, y're a
right honest man The time is full of danger and distrust, And warns us to be wary.
Hold me not Too apt for jealousy and light surmise, If, when I meant to lodge you
...
Seite 18
Here comes The noble Antony. o Enter ANToNY and CANIDIUs. * Eno. And
yonder Caesar. - (, Enter Caesar, AGRIPPA, and MaecenAs. * Ant. If we compose
well here, to Parthia: ! Yo Hark you, Canidius ! [Speaking aside to CANIDUs.
Caes.
Here comes The noble Antony. o Enter ANToNY and CANIDIUs. * Eno. And
yonder Caesar. - (, Enter Caesar, AGRIPPA, and MaecenAs. * Ant. If we compose
well here, to Parthia: ! Yo Hark you, Canidius ! [Speaking aside to CANIDUs.
Caes.
Seite 55
Ant . O , thou hast fired me ! my soul ' s up in arms , And mans each part about me
: once again That noble eagerness of fight has seized me ; That eagerness , with
which I darted upward To Cassius ' camp : In vain the steepy hill Opposed my ...
Ant . O , thou hast fired me ! my soul ' s up in arms , And mans each part about me
: once again That noble eagerness of fight has seized me ; That eagerness , with
which I darted upward To Cassius ' camp : In vain the steepy hill Opposed my ...
Seite 77
Good now, come; take heart; o We'll bury him; and then what's brave, what's
noble, - let's do it after the high Roman fashion, And make death proud to take us.
Iras. Listen!—hark — Some one approaches. Cle. Surprised Enter DoI.ABELLA.
Good now, come; take heart; o We'll bury him; and then what's brave, what's
noble, - let's do it after the high Roman fashion, And make death proud to take us.
Iras. Listen!—hark — Some one approaches. Cle. Surprised Enter DoI.ABELLA.
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Alicia Alon Alonzo Antony arms Arth Arthur attend bear beauty better blood breath bring Caesar cause Cleopatra comes curse dead death Don Carlos dost doth EARL England English Enter Exit eyes face fair fall father Faul fear fight fortune France gentle give gone grief guard hand Hast hath head hear heart Heaven hold honour hope hour Hubert John keep king lady land leave Leon Leonora live look lord means meet nature never night noble once pains peace play Poins poor prince reason rest revenge SCENE shame Shore soul speak stand sure tears tell thee thing thou thou art thou hast thought tongue true turn Young Zanga
Bibliografische Informationen
| Titel | The British Theatre: Or, A Collection of Plays, which are Acted at the Theatres Royal, Drury Lane, Convent Gardin, Haymarket, and Lyceum, Band 8 The British Theatre: Or, A Collection of Plays, which are Acted at the Theatres Royal, Drury Lane, Convent Gardin, Haymarket, and Lyceum, Mrs. Inchbald |
| Herausgeber | Mrs. Inchbald |
| Verlag | Hurst, Robinson, 1824 |
| Original von | Harvard University |
| Digitalisiert | 2. Febr. 2006 |
| Zitat exportieren | BiBTeX EndNote RefMan |