MastersingersE. Grant Richards, 1906 - 216 Seiten |
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Ergebnisse 1-5 von 21
Seite 3
... atmosphere stifling to these , becomes wakeful and alert . In the speechless world that we call inanimate Nature , a thousand signals are for ever flying to arrest our attention , and a thousand inarticulate voices question us wistfully ...
... atmosphere stifling to these , becomes wakeful and alert . In the speechless world that we call inanimate Nature , a thousand signals are for ever flying to arrest our attention , and a thousand inarticulate voices question us wistfully ...
Seite 28
... atmospheres ; one of these seems to represent the outside world that wags uncon- sciously on through the most acute crises in the lives of the two chief actors , and the other the psychological environment of the personal tragedy ...
... atmospheres ; one of these seems to represent the outside world that wags uncon- sciously on through the most acute crises in the lives of the two chief actors , and the other the psychological environment of the personal tragedy ...
Seite 29
... atmosphere in which the action is enshrined . Far more than on the stage , the scenery is in the music . The song of the sailors in the first act paints running billows and a seething wake , the salt sea wind and flying foam ; and ...
... atmosphere in which the action is enshrined . Far more than on the stage , the scenery is in the music . The song of the sailors in the first act paints running billows and a seething wake , the salt sea wind and flying foam ; and ...
Seite 30
... atmosphere still remains within the music . When the sound of horns trembles on the still night air , now louder , now more distant , it fills the stage in some mysterious way with the atmosphere of a summer night . The cadence at the ...
... atmosphere still remains within the music . When the sound of horns trembles on the still night air , now louder , now more distant , it fills the stage in some mysterious way with the atmosphere of a summer night . The cadence at the ...
Seite 31
... atmosphere of the last act , like that of the first and second , is early determined by the music itself . The haunting strains of the rustic's pipe diffuse an autumnal air over the castle pre- cincts , and harmonise with the withered ...
... atmosphere of the last act , like that of the first and second , is early determined by the music itself . The haunting strains of the rustic's pipe diffuse an autumnal air over the castle pre- cincts , and harmonise with the withered ...
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Häufige Begriffe und Wortgruppen
achievement admirable amid artist atmosphere austere Bach Bach's bars beauty Beethoven Berlioz bitter Bohemia brilliant café Charles Hallé charm choir Chopin church circumstances clavichord colours composer compositions dark death drama emotion England English cathedrals Estelle expression feel FILSON YOUNG fugue genius grand grief happiness harmony hear heart HECTOR BERLIOZ human ideas imagination infinite instru instrument Irish kind Les Troyens listen living Lüneburg man's marvellous melody ment mind Mozart musical expression musician nature never night orchestra organ organ music organists Paris passionate Pastoral Symphony perfect perhaps piano played Requiem rhythm Richard Wagner Roméo et Juliette scene seems sense simple singing song soul sound spirit spring storm sure sweet sympathy symphony tears things thunder tion tone touch tragic Tristan und Isolde utterance voice Wagner whole wind writing wrote youth
Beliebte Passagen
Seite 147 - THE minstrel boy to the war is gone, In the ranks of death you'll find him ; His father's sword he has girded on, And his wild harp slung behind him. " Land of song !" said the warrior-bard, " Though all the world betrays thee, One sword, at least, thy rights shall guard, One faithful harp shall praise thee...
Seite 159 - Shall I find comfort, travel-sore and weak? Of labour you shall find the sum. Will there be beds for me and all who seek? Yea, beds for all who come.
Seite 202 - I dared not prolong, and which I could not enjoy because of my terrible efforts to restrain my emotions. ' Oh ! madame, madame, I have but one aim left in the world — that of obtaining your affection. Suffer me to try and attain it. I will be discreet and reserved; our correspondence shall not be more frequent than you desire. It shall never become a wearisome task to you ; a few lines from your hand will suffice. My visits can only be few and...
Seite 208 - Which of the two powers, Love or Music, can elevate man to the sublimest heights? It is a great question, and yet it seems to me that this is the answer: love can give no idea of music; music can give an idea of love . . . why separate them? They are the two wings of the soul.
Seite 182 - Idyl ; it is an epic instrument, like horns, trumpets, and trombones. Its voice is that of heroic love : and if masses of brass instruments, in grand military symphonies, awaken the idea of a warlike troop covered with glittering armour, marching to glory or death, numerous unisons of clarinets, heard at the same time, seem to represent the beloved women, the loving heroines, with their proud eyes, and deep affection, whom the sound of arms exalte ; who sing while fighting, and who crown the victors,...
Seite 105 - THEY dreamt not of a perishable home Who thus could build. Be mine, in hours of fear Or grovelling thought, to seek a refuge here ; Or through the aisles of Westminster to roam ; Where bubbles burst, and folly's dancing foam Melts, if it cross the threshold ; where the wreath Of awe-struck wisdom droops : or let my path Lead to that younger Pile, whose sky-like dome Hath typified...
Seite 183 - ... epic instruments. It possesses, in an eminent degree, both nobleness and grandeur ; it has all the deep and powerful accents of high musical poetry, — from the religious accent, calm and imposing, to the wild clamours of the orgy. It depends on the composer to make it by turn chaunt like a choir of priests...
Seite 59 - Quid sum, miser ! tune dicturus ? Quern patronum rogaturus ? Cum vix Justus sit securus.
Seite 207 - I have always found that the best way to make them calm and reasonable was to amuse them and give them pictures. I take the liberty of sending you one which will recall to you the reality of the present, and destroy the illusions of the past.
Seite 191 - ... radiant with smiles, adorned with all the charms of a perfect landscape, the mere sight of which was sufficient to move me. Estelle was then the hamadryad of my valley of Tempe; and at the age of twelve I experienced for the first time, and together, love and the love of nature. The other love came to me in my manhood, with Shakespeare, in the burning bush of Sinai, amid the thunders and lightnings of poetry entirely new to me.