Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 06.12.2012 - 192 Seiten In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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Seite 5
... portrait of Pope Leo, Guilio de' Medici, and Cardinal de' Rossi, Raphael extends perspective by burnishing the gold knob on the Pope's chair to reflect the source of the painting's light from unseen windows, the Pope's shoulder, and the ...
... portrait of Pope Leo, Guilio de' Medici, and Cardinal de' Rossi, Raphael extends perspective by burnishing the gold knob on the Pope's chair to reflect the source of the painting's light from unseen windows, the Pope's shoulder, and the ...
Seite 6
... portrait reflects the painter Van Eyck, pulling the viewer into the painterly frame, making external objects also internal subjects (see Figure 1). This power of mirrors to provide views normally unavailable added a sense of magic to ...
... portrait reflects the painter Van Eyck, pulling the viewer into the painterly frame, making external objects also internal subjects (see Figure 1). This power of mirrors to provide views normally unavailable added a sense of magic to ...
Seite 7
... portrait by Jan van Eyck show both a frontal view of the couple (above) and the couple from the back in the mirror behind them (below). National Gallery, London. (Photo courtesy of Erich Lessing, Art Resource, New York.) greatnes (1626) ...
... portrait by Jan van Eyck show both a frontal view of the couple (above) and the couple from the back in the mirror behind them (below). National Gallery, London. (Photo courtesy of Erich Lessing, Art Resource, New York.) greatnes (1626) ...
Seite 8
... portrait of Richard II, similar to eighteen other tragedies warning rulers against lawlessness, flattery, and other vices, subscribes to just this belief. For whan my trayterous Stuard thus was goen, My seruantes 8 • Shakespeare's Webs.
... portrait of Richard II, similar to eighteen other tragedies warning rulers against lawlessness, flattery, and other vices, subscribes to just this belief. For whan my trayterous Stuard thus was goen, My seruantes 8 • Shakespeare's Webs.
Seite 9
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Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Eingeschränkte Leseprobe - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Eingeschränkte Leseprobe - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Eingeschränkte Leseprobe - 2004 |
Häufige Begriffe und Wortgruppen
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