Shakespeare and the Cultures of PerformancePaul Edward Yachnin, Patricia Badir Ashgate Publishing, Ltd., 2008 - 210 Seiten Using the tools of theatre history in their investigation into the phenomenology of the performance experience, the essays here also consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. The contributors strive to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms. |
Inhalt
Shakespeare and the Theatrical Performance of Rusticity | 15 |
On the Economic Rhetoric of Revenge in The Merchant | 29 |
Armado and the Politics | 53 |
The Pauline Rebuke and Paulinas | 69 |
Shakespeare and Secular Performance | 83 |
Performance Anxiety | 101 |
Shakespeare in Blackface Minstrelsy 1844 | 121 |
The Tempest and the Uses of Late Shakespeare in the Cultures | 145 |
Performance Culture History | 169 |
| 189 | |
| 203 | |
Andere Ausgaben - Alle anzeigen
Shakespeare and the Cultures of Performance Paul Yachnin,Patricia Badir Eingeschränkte Leseprobe - 2017 |
Shakespeare and the Cultures of Performance Paul Yachnin,Patricia Badir Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
actor Antonio argues Armado artist audience Bassanio blackface blackface minstrelsy burlesque Cambridge University Press characters Chicago Christian claim Comedy commentary context Costard critical cultures of performance Dawson debate Desdemona discourse drama Early Modern England Elizabethan enfranchised English essay exchange film Folger Shakespeare Library Geertz Gielgud Globe grace Greenaway Greenblatt Hermione Ibid idea Jim Crow John Jump Jim Crow language Leontes literary London Love's Labour's Lost Mark Rylance Merchant of Venice metaphor Michael Mulcaster's Othello Oxford Pandarus Paul Yachnin Paulina's Pauline Pérez performance anxiety Peter Peter Greenaway play's playwright political Portia production Prospero Prospero's Books Protestant race racial reading rebuke reformers religious revenge rhetoric Rice's Richard role Routledge Rylance Rylance's scene secular sense sexual Shakespeare Quarterly Shakespearean lateness Shylock social society sonnets stage statue stranger Stratford Studies Tempest theatre theatrical tradition Troilus and Cressida William Winter's Tale words writing York