Latina Performance: Traversing the StageIndiana University Press, 1999 - 218 Seiten "Latina Performance is a densely theorized treatment of rich materials." --MultiCultural Review "Arrizón's important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent." --Choice Latina Performance examines the Latina subject whose work as dramatist, actress, theorist, and/or critic further defines the field of theater and performance in the United States. Alicia Arrizón looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality. |
Inhalt
CrossBorder Subjectivity and the Dramatic Text | 99 |
Final UtterActs | 165 |
Notes | 171 |
Bibliography | 191 |
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Häufige Begriffe und Wortgruppen
Adelita Alamo Alina Amnesia Anglo American Arrizón Arte Público audience becomes body border Bustamante Carmelita Tropicana chapter Chata Noloesca Cherrie Moraga Chicano movement Chicano theater Concha construction context critical Cuba Cuban cultural dominant Drama Review dramatic dramatist El Teatro Campesino embedded embodies Esparza ethnic female Feminism Feminist Theory Francisco Villa gender Girl Gloria Anzaldúa heterosexual Hispanic homophobia Ibid identity formation immigrants Josefina Niggli Kanellos La Adelita La Malinche Latin American Latin Lezbo Latina Latina Performance Latina theater lesbian male Malinche Manzor María Mexican American Mexican Revolution Mexico Monica Palacios Moraga multiple nepantla Padua Hills Theatre patriarchal performance art performance artists play political position Prida production protagonists Puerto Rican queer race racial representation role San Antonio Sánchez-Scott Sarita self-representation sexuality social Soldadera song space stage story struggle Sue-Ellen Teatro Campesino term Texas theatrical Third World tion tradition undocumented woman women of color Yarbro-Bejarano Ybarra-Frausto York