As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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... Celia's were still cut in 1952 when Margaret Leighton played Rosalind . Don't they force an audience to imagine genitals ? And which sex of genitals are we - or cer- tainly an Elizabethan audience - imagining ? 1 Celia is a right royal ...
... Celia's were still cut in 1952 when Margaret Leighton played Rosalind . Don't they force an audience to imagine genitals ? And which sex of genitals are we - or cer- tainly an Elizabethan audience - imagining ? 1 Celia is a right royal ...
Seite 160
Third Series William Shakespeare Juliet Dusinberre. Enter ROSALIND and CELIA . CELIA I pray thee , Rosalind , sweet my coz , be merry . ROSALIND Dear Celia , I show more mirth than I am mistress of . And would you yet were merrier ...
Third Series William Shakespeare Juliet Dusinberre. Enter ROSALIND and CELIA . CELIA I pray thee , Rosalind , sweet my coz , be merry . ROSALIND Dear Celia , I show more mirth than I am mistress of . And would you yet were merrier ...
Seite 166
... CELIA young . CELIA LE BEAU telling the truth about the foolish actions of wise men ' ; see 2.7.49–50 . 87-9 Celia's defence of Touchstone is implausible if she has just rebuked him for free speech . Her championing of his liberty ...
... CELIA young . CELIA LE BEAU telling the truth about the foolish actions of wise men ' ; see 2.7.49–50 . 87-9 Celia's defence of Touchstone is implausible if she has just rebuked him for free speech . Her championing of his liberty ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young