As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite 59
... audience are arbiters of the jest , as of the play . This is not the only place in As You Like It where Touchstone seems to imply a special capacity of ' judgement ' in the audience , making one wonder whether Shakespeare intended the ...
... audience are arbiters of the jest , as of the play . This is not the only place in As You Like It where Touchstone seems to imply a special capacity of ' judgement ' in the audience , making one wonder whether Shakespeare intended the ...
Seite 67
... audience added menace ' . In the end , Hymen's pageant wagon conveyed everyone back to ' the " real " world ' . A ... audience's imagination to work vigorously . The two plays were conceived at much the same time in the dramatist's mind ...
... audience added menace ' . In the end , Hymen's pageant wagon conveyed everyone back to ' the " real " world ' . A ... audience's imagination to work vigorously . The two plays were conceived at much the same time in the dramatist's mind ...
Seite 97
... audience , as was the queen's in entertainments that often contained topical and controversial material . Conducted ... audience involved ambiguities which Michael Leslie explores in his analysis of the masque at Cowdray mounted by the ...
... audience , as was the queen's in entertainments that often contained topical and controversial material . Conducted ... audience involved ambiguities which Michael Leslie explores in his analysis of the masque at Cowdray mounted by the ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young