As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite 122
... followed by ' All's well that ends well ' , ' Twelfe night ' and ' The winters tale ' . 2 A comprehensive survey of editions before 1977 is provided by Knowles , 353–64 . 3 See also Blayney , ' Playbooks ' , 386–7 ; Dutton , Licensing ...
... followed by ' All's well that ends well ' , ' Twelfe night ' and ' The winters tale ' . 2 A comprehensive survey of editions before 1977 is provided by Knowles , 353–64 . 3 See also Blayney , ' Playbooks ' , 386–7 ; Dutton , Licensing ...
Seite 350
... followed Jonson's testimony in court on his behalf in 1610 ( Herford & Simpson , 1.223–30 , esp . 228 ) . In February 1599 it is unlikely that a Jonson play would have been performed at court , because at the end of January 1599 Jonson ...
... followed Jonson's testimony in court on his behalf in 1610 ( Herford & Simpson , 1.223–30 , esp . 228 ) . In February 1599 it is unlikely that a Jonson play would have been performed at court , because at the end of January 1599 Jonson ...
Seite 378
... followed her exile , she would have followed their exile . D she would have followed her exile . ( TLN 110 ; fol . 34 ' ) This example might suggest that F2 is not being used as the copy - text , but nor is F3 , because only one ...
... followed her exile , she would have followed their exile . D she would have followed her exile . ( TLN 110 ; fol . 34 ' ) This example might suggest that F2 is not being used as the copy - text , but nor is F3 , because only one ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young