As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite 107
... fool doth think he is wise , but the wise man knows himself to be a fool " , intones Touchstone to a bemused William ( 5.1.31-2 ) . The audience can see all too clearly that Jaques's longing for a motley coat and the licence of a fool ...
... fool doth think he is wise , but the wise man knows himself to be a fool " , intones Touchstone to a bemused William ( 5.1.31-2 ) . The audience can see all too clearly that Jaques's longing for a motley coat and the licence of a fool ...
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Third Series William Shakespeare Juliet Dusinberre. A fool , a fool ! I met a fool i'th ' forest , A motley fool - a miserable world ! As I do live by food , I met a fool , Who laid him down and basked him in the sun , And railed on Lady ...
Third Series William Shakespeare Juliet Dusinberre. A fool , a fool ! I met a fool i'th ' forest , A motley fool - a miserable world ! As I do live by food , I met a fool , Who laid him down and basked him in the sun , And railed on Lady ...
Seite 219
... fool ' ( Knowles ) , but F is characteristic of Jaques . 38-42 And . . . forms a description of the fool's mental processes which justifies the use of the term motley- minded ( see 5.4.41n . ) ; Touchstone's wayward combination of ...
... fool ' ( Knowles ) , but F is characteristic of Jaques . 38-42 And . . . forms a description of the fool's mental processes which justifies the use of the term motley- minded ( see 5.4.41n . ) ; Touchstone's wayward combination of ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young