As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite 158
... means laboured to dissuade him from it , but he is resolute . I'll tell thee , Charles , it is the stubbornest young fellow of France , full of ambition , an envious emulator of every man's good parts , a secret and villainous contriver ...
... means laboured to dissuade him from it , but he is resolute . I'll tell thee , Charles , it is the stubbornest young fellow of France , full of ambition , an envious emulator of every man's good parts , a secret and villainous contriver ...
Seite 165
... mean'st ? TOUCHSTONE [ to Rosalind ] One that old Ferdinand , your father , loves . ROSALIND My father's love is enough to ... means Rosalind's father , Duke Senior ( see next note ) ; the person Duke Senior loves may be his own brother ...
... mean'st ? TOUCHSTONE [ to Rosalind ] One that old Ferdinand , your father , loves . ROSALIND My father's love is enough to ... means Rosalind's father , Duke Senior ( see next note ) ; the person Duke Senior loves may be his own brother ...
Seite 198
... means To burn the lodging where you use to lie , And you within it . If he fail of that He will have other means to cut you off ; I overheard him and his practices . This is no. ORLANDO Why , what's the matter ? ADAM 15 20 25 13 ...
... means To burn the lodging where you use to lie , And you within it . If he fail of that He will have other means to cut you off ; I overheard him and his practices . This is no. ORLANDO Why , what's the matter ? ADAM 15 20 25 13 ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young