As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite ix
... production at the Lyric Hammersmith , London , 1991 ( John Haynes ) 21 5 Orlando ( Martin Hutson ) , Rosalind ( Nina Sosanya ) and Celia ( Naomi Frederick ) in Gregory Thompson's production at the Swan Theatre , Stratford - upon - Avon ...
... production at the Lyric Hammersmith , London , 1991 ( John Haynes ) 21 5 Orlando ( Martin Hutson ) , Rosalind ( Nina Sosanya ) and Celia ( Naomi Frederick ) in Gregory Thompson's production at the Swan Theatre , Stratford - upon - Avon ...
Seite 20
... production in 1991 enters , a quarter of a century later , a more complex scene , with gay scholarship forming an important part of academic Shakespeare , and the more open attitude to homosexuality in society creating new possibilities ...
... production in 1991 enters , a quarter of a century later , a more complex scene , with gay scholarship forming an important part of academic Shakespeare , and the more open attitude to homosexuality in society creating new possibilities ...
Seite 67
... production was accompanied with orchestral excerpts from Beethoven's Pastoral Symphony , in a novel linking of classic pastoral tropes ( see Fig . 16 ) . But more min- imalist representations of the Forest , such as Adrian Noble's white ...
... production was accompanied with orchestral excerpts from Beethoven's Pastoral Symphony , in a novel linking of classic pastoral tropes ( see Fig . 16 ) . But more min- imalist representations of the Forest , such as Adrian Noble's white ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young