As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite 162
... tion of favours and misfortunes ; see 5.2.63n . on fortune , and H5 3.6.29–37 . 38 honest chaste . Chastity and beauty were traditionally at war ( Dent , B163 ) ; see 3.3.26-8 . 31 housewife ] huswife Capell ; hussif Ard 39 ill ...
... tion of favours and misfortunes ; see 5.2.63n . on fortune , and H5 3.6.29–37 . 38 honest chaste . Chastity and beauty were traditionally at war ( Dent , B163 ) ; see 3.3.26-8 . 31 housewife ] huswife Capell ; hussif Ard 39 ill ...
Seite 214
... tion assumes that the exhausted Adam speaks in free verse ( as in F ) and that Orlando's first line is a verse response , quickly turning to informal prose ( as Pope ) for the encouragement of his servant . 2 Cf. Celia's weariness on ...
... tion assumes that the exhausted Adam speaks in free verse ( as in F ) and that Orlando's first line is a verse response , quickly turning to informal prose ( as Pope ) for the encouragement of his servant . 2 Cf. Celia's weariness on ...
Seite 218
... tion , although the anglicized word had been in use since Chaucer ( Douce , Illustrations , 1.301 ) ; see 167. Cf. LLL 5.2.416 : ' Sans " sans " , I pray you . ' The title page of the Quarto LLL states that the play was performed at ...
... tion , although the anglicized word had been in use since Chaucer ( Douce , Illustrations , 1.301 ) ; see 167. Cf. LLL 5.2.416 : ' Sans " sans " , I pray you . ' The title page of the Quarto LLL states that the play was performed at ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young