As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite 90
... true liberty and equality to men and women . Shakespeare's Forest also offers the freedom of doing as one likes : liberation from clocks and clerics , and from the constraints and conventions of the court . In an essay on Rabelais ...
... true liberty and equality to men and women . Shakespeare's Forest also offers the freedom of doing as one likes : liberation from clocks and clerics , and from the constraints and conventions of the court . In an essay on Rabelais ...
Seite 266
... true thing ? TOUCHSTONE No , truly ; for the truest poetry is the most faining , and lovers are given to poetry , and what they swear in poetry may be said , as lovers , they do feign . 13 reckoning ] reeking Hanmer 18 faining ...
... true thing ? TOUCHSTONE No , truly ; for the truest poetry is the most faining , and lovers are given to poetry , and what they swear in poetry may be said , as lovers , they do feign . 13 reckoning ] reeking Hanmer 18 faining ...
Seite 290
... true to his own image of Rosalind ' ( Berry , ' Rosalynde ' , 50 ) . 59 your Rosalind After an almost too convincing performance ( as Ganymede ) of the laddish fiction of ' Rosalind ' , the heroine claims the virtue of the ' true ...
... true to his own image of Rosalind ' ( Berry , ' Rosalynde ' , 50 ) . 59 your Rosalind After an almost too convincing performance ( as Ganymede ) of the laddish fiction of ' Rosalind ' , the heroine claims the virtue of the ' true ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young