As You Like It: Third SeriesBloomsbury Academic, 25.07.2006 - 472 Seiten With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Seite xiii
... verse lines wherever they indicate a usual late twentieth - century pronunci- ation that requires no special indication and wherever they occur in prose ( except when they indicate non - standard pronunci- ation ) . In verse speeches ...
... verse lines wherever they indicate a usual late twentieth - century pronunci- ation that requires no special indication and wherever they occur in prose ( except when they indicate non - standard pronunci- ation ) . In verse speeches ...
Seite 214
... verse . Pope's decision to turn it into prose is usually adopted by editors on the assumption that Compositor B turned prose into verse to fill up space on page 192 of F so that 2.7 could begin page 193 ( Var 1890 ) . This edi- tion ...
... verse . Pope's decision to turn it into prose is usually adopted by editors on the assumption that Compositor B turned prose into verse to fill up space on page 192 of F so that 2.7 could begin page 193 ( Var 1890 ) . This edi- tion ...
Seite 248
... verses would bear . CELIA That's no matter - the feet might bear the verses . ROSALIND Ay , but the feet were lame and could not bear themselves without the verse , and therefore stood lamely in the verse . CELIA But didst thou hear ...
... verses would bear . CELIA That's no matter - the feet might bear the verses . ROSALIND Ay , but the feet were lame and could not bear themselves without the verse , and therefore stood lamely in the verse . CELIA But didst thou hear ...
Inhalt
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Urheberrecht | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young